looka, <lʊ´-kə> dialect, v.
1. The imperative form of the verb "to look"; in the spoken vernacular of New Orleans, it is usually employed when the speaker wishes to call one's attention to something.
2. --n. Chuck Taggart's weblog, hand-made and updated (almost) daily, focusing on food and drink, cocktails as cuisine, music (especially of the roots variety), New Orleans and Louisiana culture, news of the reality-based community ... and occasionally movies, books, sf, public radio, media and culture, travel, Macs, liberal and progressive politics, humor and amusements, reviews, complaints, the author's life and opinions, witty and/or smart-arsed comments and whatever else tickles the author's fancy.
Please feel free to contribute a link if you think I'll find it interesting. If you don't want to read my opinions, feel free to go elsewhere.Page last tweaked @ 11:56am PST, 8/31/2007
RSS Feed:
Powered by RSSgenr8 at xmlhub.comIf you like, you are welcome to send e-mail to the author. Your comments on each post are also welcome; however, right-wing trolls are about as welcome as a boil on my arse. Search this site:
"Doctors, Professors, Kings and Queens: The Big Ol' Box of New Orleans" is a 4-CD box set celebrating the joy and diversity of the New Orleans music scene, from R&B to jazz to funk to Latin to blues to zydeco to klezmer (!) and more, including a full-size, 80-page book. Buy my New Orleans music box set!
Produced, compiled and annotated by Chuck Taggart (hey, that's me!), liner notes by Mary Herczog (author of Frommer's New Orleans) and myself. Now for sale at your favorite independent record stores (such as the Louisiana Music Factory, because you should be supporting local New Orleans retailers) or via Amazon if you insist.
The box set was the subject of a 15-minute profile on National Public Radio's "Weekend Edition" on Feb. 6, 2005, and a segment on Wisconsin Public Radio's "To The Best of Our Knowledge" on Apr. 3, 2005. Here are some nice blurbs from the reviews (a tad immodest, I know; I'm not generally one to toot my own horn, but let's face it, I wanna sell some records here.)
* * * "More successfully than any previous compilation, Doctors... captures the sprawling eclecticism, freewheeling fun and constant interplay of tradition and innovation that is at the heart of Crescent City music." -- Keith Spera, New Orleans Times-Picayune.
"... if you DO know someone who's unfortunate enough to have never heard these cuts, press this monumentally adventurous box and its attendant booklet upon them. It's never too late to learn" -- Robert Fontenot, OffBeat magazine, New Orleans
"... the best collection yet of Louisiana music." -- Scott Jordan, The Independent, Lafayette, Louisiana.
"[T]he year's single most awesome package" -- Buddy Blue, San Diego Union-Tribune
"This four-CD box set doesn't miss a Crescent City beat ... For anyone who has enjoyed the New Orleans Jazz & Heritage Festival, this is Jazz Fest in a box. ***1/2" -- Dave Hoekstra, Chicago Sun-Times
"... excellently compiled, wonderfully annotated ... New Orleans fans will know much of this by heart, though they may not remember it sounding so good; those who don't know what it's like to miss New Orleans will quickly understand." -- Terry Lawson, Detroit Free Press.
"... a perfect storm when it comes to reissues. This box set is musically exciting, a complete representation of its subject matter, and just plain fun to listen." -- Charlie B. Dahan, AllAboutJazz.com
"... one of the best impressions of a city's musical blueprint that you're likely to ever find." -- Zeth Lundy, PopMatters.com
"... an unacademic, uncategorized album that suits the city's time-warped party spirit." -- Jon Pareles, The New York Times
How to donate to this site: Your donations help keep this site going. PayPal's the best way -- just click the button below, and thanks!
You can also donate via the Amazon.com Honor System, if you wish (but they deduct a larger fee from your donation and I keep less).
(Also, here's a shameless link to my Amazon Wish List.)
Buy stuff! You can get Gumbo Pages designs on T-shirts, mugs and mousepads at The Gumbo Pages Swag Shop!
Looka! Archive
(99 and 44/100% link rot)August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
2006: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2005: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2004: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2003: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2002: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2001: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2000: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
1999: Jul, Aug, Sep, Oct, Nov, Dec.
My Photos on Flickr
www.flickr.com
My Darlin' New Orleans...
Shop New Orleans! Visit the stores linked here to do your virtual online shopping in New Orleans. The city needs your money!
Greater N.O. Community Data Center
New Orleans Wiki
Media:
Gambit Weekly
NOLA.com & The Times-Picayune
OffBeat
Scat Magazine
WDSU-TV (Channel 6, NBC)
WGNO-TV (Channel 26, ABC)
WNOL-TV (Channel 38, WB)
WTUL-FM (91.5, Progressive radio)
WVUE-TV (Channel 8, FOX)
WWL-TV (Channel 4, CBS)
WWNO-FM (89.9, classical, jazz, NPR)
WWOZ-FM (90.7, Best Radio Station in the Universe)
WYES-TV (Channel 12, PBS)
New Orleans ...
proud to blog it home.
2 Millionth Weblog
A Frolic of My Own
Ashley Morris
Blogging New Orleans
Dispatches from Tanganyika
Home of the Groove
Humid City
Library Chronicles
Mellytawn Dreams
Metroblogging N.O.
People Get Ready
Da Po'Blog
Suspect Device Blog
The Third Battle of New Orleans
World Class New Orleans
The Yat Pundit
Your Right Hand ThiefCocktail hour. "We are still heartily of the opinion that decent libation supports as many million lives as it threatens; donates pleasure and sparkle to more lives than it shadows; inspires more brilliance in the world of art, music, letters, and common ordinary intelligent conversation, than it dims." -- Charles H. Baker, Jr.
CocktailDB
The Internet's most comprehensive
and indispensible database of
authenticated cocktail recipes,
ingredients, reseearch and more.
By Martin Doudoroff & Ted Haigh)
Museum of the American Cocktail
Founded by Dale DeGroff and many
other passionate spirits in Jan. 2005.
Celebrating a true American cultural
icon: the American Cocktail.
(Their weblog.)
* * * The Sazerac Cocktail
(The sine qua non of cocktails,
and the quintessential New Orleans
cocktail. Learn to make it.)
The Footloose Cocktail
(An original by Wes;
"Wonderful!" - Gary Regan.
"Very elegant, supremely
sophisticated" - Daniel Reichert.)
The Hoskins Cocktail
(An original by Chuck;
"It's nothing short of a
masterpiece." - Gary Regan)
* * * Chuck & Wes' Cocktail Book Collection
(Constantly growing)
Chuck & Wes' Cocktail Menu
(A few things we like to
drink at home, plus a couple
we don't, just for fun.)
* * * Peychaud's Bitters
(Indispensible for Sazeracs
and many other cocktails.
Order them here.)
Angostura Bitters
(The gold standard of bitters,
fortunately available everywhere
worldwide. Insist on it.)
Regans' Orange Bitters No. 6
(Complex and spicy orange
bitters for your Martinis,
Old Fashioneds and many more.
Order them here.)
Fee Brothers' Bitters
(Classic orange bitters,
peach bitters and a cinnamony
"Old Fashion" aromatic bitters,
plus new lemon & grapefruit bitters!)
The Bitter Truth
(A new brand of bitters
from Germany: orange, lemon,
aromatic bitters and more!)
* * * Alcademics
(The study of booze with Camper English)
Alcohol (and how to mix it)
(David Wondrich)
Ardent Spirits
(Gary & Mardee Regan)
The Art of Drink:
An exploration of Spirits & Mixology.
(Darcy O'Neil)
Bar Mix Master
(Brad Ellis, New Orleans)
Beachbum Berry:
(Jeff Berry, world-class expert
on tropical drinks)
The Cocktail Chronicles
(Paul Clarke's weblog)
The Cocktailian Gazette
(The monthly newsletter of
The Museum of the
American Cocktail.)
A Dash of Bitters
(Michael Dietsch)
DrinkBoston.com
(Lauren Clark)
DrinkBoy and the
Community for the
Cultured Cocktail
(Robert Hess, et al.)
DrinkBoy's Cocktail Weblog
Drink Trader
(Online magazine for the
drink trade)
Happy Hours
(Beverage industry
news & insider info)
Imbibe Magazine
(Celebrating the world in a glass)
Jeff Morgenthaler
(Bartender/mixologist, Eugene OR)
Jimmy's Cocktail Hour
(Jimmy Patrick)
Kaiser Penguin
(Rick Stutz, bringing us cocktails
and great photographs)
King Cocktail
(Dale DeGroff)
La Fée Verte
(All about absinthe
from Kallisti et al.)
LUPEC.org
(Ladies United for the
Preservation of
Endangered Cocktails)
Fine Spirits & Cocktails
(eGullet's forum)
The Ministry of Rum
(Everything you always wanted to know)
The Modern Mixologist
(Tony Abou-Ganim)
Mr. Lucky's Cocktails
(Sando, LaDove,
Swanky et al.)
Nat Decants
(Natalie MacLean)
Off the Presses
(Robert Simonson)
Spirit Journal
(F. Paul Pacult)
Spirits and Cocktails
(Jamie Boudreau)
Spirits Review
(Chris Carlsson)
Tastings.com
(Beverage Tasting
Institute journal)
The Thirstin' Howl
(John Myers)
Trader Tiki's Booze Blog
(Blair Reynolds)
Vintage Cocktails
(Daniel Reichert)
The Wormwood Society
(Dedicated to promoting accurate,
current information about absinthe)
Let's eat! New Orleans:
Appetites
Culinary Concierge (N.O. food & wine magazine)
Mr. Lake's Non-Pompous New Orleans Food Forum
The New Orleans Menu
Notes from a New Orleans Foodie
Food-related weblogs:
Bacontarian
Chocolate and Zucchini
Honest Cuisine
Il Forno
KIPlog's FOODblog
MeatHenge
Mise en Place
Sauté Wednesday
Simmer Stock
Tastespotting
Tasting Menu
Waiter Rant
More food!
à la carte
Chef Talk Café
Chowhound (L.A.)
eGullet
Epicurious
Food Network
The Global Gourmet
The Hungry Passport
A Muse for Cooks
The Online Chef
Pasta, Risotto & You
Slow Food Int'l. Movement
Southern Food & Beverages Museum
Southern Foodways Alliance
So. Calif. Farmer's Markets
Zagat Guide
&c.
In vino veritas. The Oxford Companion to Wine
Wine Enthsiast
The Wine Spectator
Wine Today
Wines.com
Zinfandel Advocates & Producers
Wine/spirits shops in our 'hood:
Colorado Wine Co., Eagle Rock
Mission Liquors, Pasadena
Silverlake Wine, Silverlake
Chronicle Wine Cellar, Pasadena
Other wine/spirits shops we visit:
Beverage Warehouse, Mar Vista
Wally's Wine & Spirits, Westwood
The Wine House, West L.A.
Reading this month:Dream Boy, by Jim Grimsley.
Sippin' Safari, by Jeff Berry.
Wicked Angels, by Eric Jourdan.
The God Delusion, by Richard Dawkins.
Listen to music! Chuck's current album recommendations
Altan
BeauSoleil
Beck
Luka Bloom
La Bottine Souriante
Billy Bragg
Cordelia's Dad
Jay Farrar
The Frames
Kíla
Sonny Landreth
Los Lobos
Christy Moore
Nickel Creek
OK Go
The Old 97s
Anders Osborne
Planxty
The Proclaimers
Professor Longhair
Red Meat
The Red Stick Ramblers
The Reivers
Zachary Richard
Paul Sanchez
Marc Savoy
Son Volt
Richard Thompson
Toasted Heretic
Uncle Tupelo
Wilco
Tom Morgan's Jazz Roots
Miles of Music
New Orleans Bands.net
New Orleans Jazz & Heritage Festival
No Depression
RootsWorld
Appalachian String Band Music Festival - Clifftop, WV
Long Beach Bayou Festival
Strawberry Music Festival - Yosemite, CA
Talking furniture: WWOZ (New Orleans)
Broadcast schedule
Live audio stream
KCSN (Los Angeles)
Broadcast schedule
"Down Home" playlist
Live MP3 audio stream
Bob Walker's New Orleans Radio Shrine
(A rich history of N.O. radio)
PublicRadioFan.com
(Comprehensive listings)
Air America Radio
(Talk radio for the
rest of us)
Folkscene
Joe Frank
Grateful Dead Radio
(Streaming complete
shows!)
KPIG, 107 Oink 5
(Freedom, CA)
KRVS Radio Acadie
(Lafayette, LA)
LouisianaRadio.com
Mike Hodel's "Hour 25"
(Science fiction radio)
Raidió Idirlíon
(Irish language & music)
Raidió na Gaeltachta
(Irish language)
RootsWorld's Rootsradio
RTÉ Radio Ceolnet
(Irish trad. music)
WXDU (Durham, NC)
Films seen this year:
(with ratings):In the cinema:
Babel (****)
Children of Men (****)
Notes on a Scandal (***-1/2)
Zodiac (****)
Grindhouse (**-1/2)
28 Weeks Later (****)
Spider-Man 3 (***)
Rescue Dawn (***-1/2)
1408 (***)
Live Free or Die Hard (***-1/2)
Ocean's Thirteen (**-1/2)
Fantastic 4: Rise of the Silver Surfer(**-1/2)
Harry Potter and the Order of the Phoenix (***-1/2)
The Bourne Ultimatum (****)
On DVD:
Lookin' at da TV: "The West Wing"
"Lost"
"Battlestar Galactica"
"The Sopranos"
"Six Feet Under"
"Deadwood"
"Malcolm In The Middle"
"Star Trek: Enterprise"
"ER"
"House"
"Smallville"
"One Tree Hill"
"Queer Eye for the Straight Guy"
"The Simpsons"
"Father Ted"
The Food Network
tvpicks.net
Photography: A Gallery for Fine Photography, New Orleans (Joshua Mann Pailet)
American Museum of Photography
California Museum of Photography, Riverside
International Center of Photography
Ansel Adams
Jonathan Fish
Noah Grey
Greg Guirard
Paul F. R. Hamilton
Clarence John Laughlin
Herman Leonard
Howard Roffman
J. T. Seaton
Jerry Uelsmann
Gareth Watkins
Brett Weston
The Mirror Project
(My pics therein: 1, 2, 3, 4, 5, 6, 7.)
My photographs at Flickr
Comix: The Amazing Adventures of Bill,
by Bill Roundy
Bloom County / Outland / Opus,
by Berkeley Breathed
Bob the Angry Flower,
by Stephen Notley
The Boondocks,
by Aaron McGruder
Calvin and Hobbes,
by Bill Watterson
Doonesbury,
by Garry B. Trudeau
Electric Sheep Comix
by Patrick Farley
Get Your War On
by David Rees
Goats
by Jonathan Rosenberg
L. A. Cucaracha
by Lalo Alcaraz
Leviathan,
by Peter Blegvad
Lil' Abner,
by Al Capp
Lulu Eightball,
by Emily Flake
The Mostly Unfabulous Social Life of Ethan Green,
by Eric Orner
Pogo,
by Walt Kelly
Suspect Device,
by Greg Peters
Ted Rall,
by Ted Rall
This Modern World,
by Tom Tomorrow
XQUZYPHYR & Overboard,
by August J. Pollak
Must-reads: Polly Ticks:
AlterNet.org (Progressive politics & news)
Daily Kos (My favorite political weblog)
Eschaton (The Mighty Atrios)
Hullaballoo (The Mighty Digby)
Media Matters for America (Debunking right-wing media lies)
Orcinus (David Neiwert)
PostSecret (Secrets sent in via postcards; astonishingly beautiful, funny and sad.)
Talking Points Memo (Josh Marshall)
TAPPED (The American Prospect Online)
Think Progress
TruthOut (William Rivers Pitt & Co.)Miscellany::
Borowitz Report (Political satire)
The Complete Bushisms (quotationable!)
The Fray (Your stories)
Landover Baptist (Better Christians than YOU!)
Maledicta (The International Journal of Verbal Aggression)
The Morning Fix from SF Gate (Opinions, extreme irreverence)
The New York Review of Science Fiction
The Onion (Scarily funny news/satire)
"Rush, Newspeak and Fascism: An exegesis", by David Neiwert. (Read this.)
Whitehouse.org (Not the actual White House, but it should be)
Weblogs I read: Alicublog
AmericaBlog
American Leftist
BoingBoing
The BradLands
CamWorld
Cardhouse
The Carpetbagger Report
Cheesedip
Considered Harmful
Crabwalk
Creek Running North
Ethel the Blog
Un Fils d'un État Rouge
Follow Me Here
Franklin Avenue
Ghost in the Machine
Goluboy
Hit or Miss
Jesus' General
Mark A. R. Kleiman
kottke.org
The Leaky Cauldron
Letting Loose With the Leptard
Little. Yellow. Different.
Making Light
Martini Republic
Medley
Mister Pants
More Like This
Mr. Barrett
Neil Gaiman's Journal
News of the Dead
No More Mr. Nice Guy!
Not Right About Anything
NowThis.com
Pandagon
August J. Pollak
Q Daily News
Real Live Preacher
Respectful of Otters
Roger "Not That One" Ailes
Ted Rall
Sadly, No!
Telescreen.org
This Modern World
WendellWit.com
Whiskey Bar
What's In Rebecca's Pocket?
Windowseat
Your Right Hand Thief
Matthew's GLB blog portalFriends with pages: bill
chris
dule
ellen
jon
jordan
mary
mary katherine
michael p.
nancy
peter
robb
sean
shel
steve
ted
todd
tracy and david
The Final Frontier: Astronomy Pic of the Day
ISS Alpha News
NASA Human Spaceflight
Spaceflight Now
SF: Locus Magazine Online
SF Site
SFWA
Quotationable: "To announce that there must be no criticism of the president, or that we are to stand by the president right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."
-- Theodore Roosevelt, 26th President of the United States (1901-1909), speaking in 1918"There ought to be limits to freedom."
-- George W. Bush, May 21, 1999"You don't get everything you want. A dictatorship would be a lot easier."
-- George W. Bush, describing what it's like to be governor of Texas, Governing Magazine, July 1998"If this were a dictatorship, it would be a heck of a lot easier, just so long as I'm the dictator."
-- George W. Bush, CNN.com, December 18, 2000"A dictatorship would be a heck of a lot easier, there's no question about it."
-- George W. Bush, Business Week, July 30, 2001
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Déanta: This page is coded by hand, with BBEdit 4.0.1 on an Apple G4 15" PowerBook running MacOS X 10.3 if I'm at home; occasionally with telnet and Pico on a FreeBSD Unix host running tcsh if I'm updating from work. (I never could get used to all those weblogging tools.)
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"Eating, drinking and carrying on..." -- Adelaide Brennan
Friday, August 31, 2007 The Plucky Survivors hit the road! On Wednesday my friends Mary and Rick left for their second (annual, I hope) trip across the back roads of the country in search of bacon, roadside attractions, awesomeness and America.
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Day 1, much of which was taken up with the nasty part of travel -- i.e. flying and airports and security and the confiscation of your toothpaste for your own safety -- but when it finally gets going also features relatives, Polish sausage, cutthroat games of Cow and lots and lots of corn.
Day 2 is happening as you read, and will be updated later with tales of Maytag blue cheese, Dutch bakeries, the Amana Colonies (a German communal settlement dating to the 1800s) and The Maid-Rite in Cedar Rapids, about which we are assured we'll want to know.
There are even rumors that there will be video from the road this time, although Rick is skeptical about editing on the road and uploading where free broadband might be sparse. Perhaps this could also be a voyage of discovery of free wi-fi in rural and small-town MIdwest. Let's keep our fingers crossed, though, because said videos, if they do come to pass, will be damned funny.
Hit the road, Jack and Jill!
The Cocktail Spirit, with Robert Hess. For those of you who'd like to catch up with me in small daily doses, here are links to two more of Robert's excellent videos on cocktails and mixology.
The Bloody Mary represents a drink where everybody is welcome to test out their creativity just a little to see what sorts of unique twists they can add to this long-time classic. Start with the basic recipe and then see where that leads you.
# # # Bitters, and the Manhattan Cocktail
Few drinks have been able to make the tortuous journey through American Prohibition and into the modern era unscathed by alterations, shortcuts, gimmicks, and obscurity. The Manhattan, retains a modicum of popularity, and is even made pretty much the same way it was back in the late 1800's when it first came onto the scene. Most notably, it is one of the few cocktails which you can still expect to be made with bitters.
Actually, thanks to the cocktail renaissance, I'm hoping we'll be seeing lots and lots more cocktails made with bitters, and that it'll be in more conventional bars rather than just serious cocktailian ones. (A boy can dream, can't he?)
Incidentally, here's how I made the Bloody Mary I had for breakfast last Sunday:
Chuck's August 26, 2007 Bloody Mary
(improvised based on ingredients on hand)2 ounces Beefeater gin. (Why bother with vodka? It has no flavor.)
1 healthy pinch celery seed, ground for a few seconds in a mortar.
2 shakes Paul Prudhomme's Pork and Veal Magic Cajun Seasoning.
2 dashes Crystal Hot Sauce. (For flavor, primarily.)
2 dashes Habanero Tabasco Sauce. (For heat, and flavor.)
1 small dab Inglehoffer cream-style horseradish. (This stuff's powerful.)
1 dash Worcestershire sauce.
1 drizzle of balsamic vinegar.
1/2 ounce fresh lemon juice.
1/2 ounce fresh lime juice.
1 small can V-8 tomato-and-vegetable juice (6 ounces, I believe.)
Add all ingredients to mixing glass, then add ice and give it a brief shake. Pour into a 12-ounce glass. Garnishes this time -- pickled okra, pickled green beans, olives and a slice of bacon, laid across the top of teh glass.Oh my, it was good.
I like the idea of adding ground chile to a Bloody Mary, and I may try this next time. To the ancho I'd add some chipotle, or else a few dashes of a good chipotle sauce like El Yucateca or Chipotle Tabasco (which is quite good).
Music video of the day. I went to see Wilco, one of my very favorite bands, at the Greek Theatre Wednesday night, and not unexpectedly the show was comprised of 42 kinds of awesomeness. Jeff was so relaxed and fun and just right on the money with every song, and that combined with the shining beams of supernova coming from Nels Cline's guitar (which had me going "Wow, wow, wow!" with a big dopey grin on my face all night) ... well, I was a very happy boy. I've been a Wilco fan from the day it formed after the breakup of Uncle Tupelo, and Wilco just keep getting better and better.
Last weekend my friend Michael sent around a link to a video on YouTube that he said made him feel "all warm and fuzzy," and I finally got to it last night. I can see why. The Bottle Rockets, featuring Brian Henneman (former Uncle Tupelo roadie and occasional sideman), part of the St. Louis music scene, had had a long association with Uncle Tupelo as had Brian's previous bands Chicken Truck and The Blue Moons. This long friendship has continued past Uncle Tupelo, demonstrated here in this clip from a Bottle Rockets performance from January 2006 with Wilco's Jeff Tweedy sitting in for a cover of Neil Young's "Walk On."
Warm and fuzzy indeed.
"Democracy Now!" on New Orleans. I missed this on the air yesterday, but thanks to the miracle of the Internetsss and archiving, we can listen to Pacifica Radio's signature morning program broadcasting live from the Lower Ninth Ward the day after the Katrinaversary of the U.S. government's floods. Topics include the state of New Orleans two years after the storm, allegations of relief money not making it to storm victims, and how New Orleans is rapidly turning from a public school city to a charter school city.
Thanks to Nate for the link; I hope to get to it this weekend myself.
The Great Iraq Swindle. Another link from Nate (thanks!), appearing in the current issue of Rolling Stone, tells us about how Bush allowed an army of for-profit contractors to invade the U.S. Treasury. "Operation Iraqi Freedom, it turns out, was never a war against Saddam Hussein's Iraq. It was an invasion of the federal budget, and no occupying force in history has ever been this efficient. George W. Bush's war in the Mesopotamian desert was an experiment of sorts, a crude first take at his vision of a fully privatized American government."
How is it done? How do you screw the taxpayer for millions, get away with it and then ride off into the sunset with one middle finger extended, the other wrapped around a chilled martini? Ask Earnest O. Robbins -- he knows all about being a successful contractor in Iraq.
You start off as a well-connected bureaucrat: in this case, as an Air Force civil engineer, a post from which Robbins was responsible for overseeing 70,000 servicemen and contractors, with an annual budget of $8 billion. You serve with distinction for thirty-four years, becoming such a military all-star that the Air Force frequently sends you to the Hill to testify before Congress -- until one day in the summer of 2003, when you retire to take a job as an executive for Parsons, a private construction company looking to do work in Iraq.
Now you can finally move out of your dull government housing on Bolling Air Force Base and get your wife that dream home you've been promising her all these years. The place on Park Street in Dunn Loring, Virginia, looks pretty good -- four bedrooms, fireplace, garage, 2,900 square feet, a nice starter home in a high-end neighborhood full of spooks, think-tankers and ex-apparatchiks moved on to the nest-egg phase of their faceless careers. On October 20th, 2003, you close the deal for $775,000 and start living that private-sector good life.
A few months later, in March 2004, your company magically wins a contract from the Coalition Provisional Authority in Iraq to design and build the Baghdad Police College, a facility that's supposed to house and train at least 4,000 police recruits. But two years and $72 million later, you deliver not a functioning police academy but one of the great engineering clusterfucks of all time, a practically useless pile of rubble so badly constructed that its walls and ceilings are literally caked in shit and piss, a result of subpar plumbing in the upper floors.
You've done such a terrible job, in fact, that when auditors from the Special Inspector General for Iraq Reconstruction visit the college in the summer of 2006, their report sounds like something out of one of the Saw movies: "We witnessed a light fixture so full of diluted urine and feces that it would not operate," they write, adding that "the urine was so pervasive that it had permanently stained the ceiling tiles" and that "during our visit, a substance dripped from the ceiling onto an assessment team member's shirt." The final report helpfully includes a photo of a sloppy brown splotch on the outstretched arm of the unlucky auditor.
When Congress gets wind of the fiasco, a few members on the House Oversight Committee demand a hearing. To placate them, your company decides to send you to the Hill -- after all, you're a former Air Force major general who used to oversee this kind of contracting operation for the government. So you take your twenty-minute ride in from the suburbs, sit down before the learned gentlemen of the committee and promptly get asked by an irritatingly eager Maryland congressman named Chris Van Hollen how you managed to spend $72 million on a pile of shit.
You blink. Fuck if you know. "I have some conjecture, but that's all it would be" is your deadpan answer.
The room twitters in amazement. It's hard not to applaud the balls of a man who walks into Congress short $72 million in taxpayer money and offers to guess where it all might have gone.
It gets worse. Read on.
[ Link to today's entries ]
Wednesday, August 29, 2007 Two years ago today. Remember one thing -- this was not a natural disaster. This was a man-made disaster. (Specifically, a government-made disaster.)
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As far as the City of New Orleans has come along ...
There are still huge swaths of destruction throughout the city.
The city still only has 60% of its pre-Katrina-and-flood population.
There are still people living in FEMA trailers.
There are still areas in St. Bernard Parish with no telephone service.
In the United States of America.
In the Twenty-First Century.
The rebuilding of a major American city nearly destroyed by the worst disaster in American history should have been the top priority for the current administration, who instead seemed more interested in the hopeless flogging of their awful, illegal war.
Via Oyster, here's today's news:
President Bush plans to ask Congress next month for up to $50 billion in additional funding for the war in Iraq...
The request... would come on top of about $460 billion in the fiscal 2008 defense budget and $147 billion in a pending supplemental bill to fund the wars in Afghanistan and Iraq.
(Image by Greg Peters of Suspect Device)We are not OK. (And by "we," include the entire country.)
Hurricane Katrina today. Joshua Clark sent me a link to a new site, hurricanekatrinanews.org, a supersite for the latest Katrina-related news,events, vital resources and "stuff that's constructive, informed and informative (which can't be said about too much of the media blather)."
Leading off is a listing of today's events in the New Orleans area.
Trombone Shorty in the Tremé. Troy Andrews, who long outgrew the nickname he still carries, talks about his neighborhood, it's musican heritage and traditions, and shows us why the crippled and threatened institution of the New Orleans neighborhood is crucial to the city's cultural and spiritual survival.
The Cocktail Spirit, with Robert Hess. Yeesh, I don't know how I managed to get so far behind on this fantastic video series. I think I was glancing at Robert's site, seeing only the first two episodes linked, and not reading the fine print that eventually said there were more than 20 episodes in the can.
The Small Screen Network site, which has done a beautiful job producing these videos, has the complete listing of what's been posted so far. If you're as far behind as I am and you don't want to slog through them all in one day, I'll post one or two of 'em every day until we're all caught up.
Since we don't have a new one from Chris for a few more days, let's get two under our belts today. Unfortunately they're not set up to be embedded in other sites, so please use the links below:
Without tools, we would simply be animals. So in this episode we'll do our best to keep all of you well established into the human race, by showing you many of the tools you need to further your studies in mixology. And in closing, our intrepid host will show you how best to utilize one of your tools to make the Caipirinha.
# # # A Cocktailian Library, and the Champagne Flamingo
Part of learning about, and understanding cocktails and mixology, is having the appropriate research material available for not only information, but inspiration as well. In this episode we'll provide some suggestions for a few great books you may want to add to your library, and then close off with a great little cocktail, the Champagne Flamingo.
Once you're caught up, sign up for their update mailing list so you'll know as soon as a new episode goes up.
Does anybody really know what time it is? (I used to love that song when I was a kid.)
Mary sent this news around this morning, and I'm kinda bummed about it too.
It's the end of time, at least as far as AT&T is concerned.
The brief note in customers' bills hardly does justice to the momentousness of the decision. "Service withdrawal," it blandly declares. "Effective September 2007, Time of Day information service will be discontinued."
What that means is that people throughout Southern California will no longer be able to call 853-1212 to hear a woman's recorded voice state that "at the tone, Pacific Daylight Time will be . . ." with the recording automatically updating at 10-second intervals.
"Times change," said John Britton, an AT&T spokesman. "In today's world, there are just too many other ways to get this information. You can look at your cellphone or your computer. You no longer have to pick up the telephone."
Indeed, time already has stopped in 48 other states, he said. California and Nevada are the two remaining holdouts.
When I was growing up in New Orleans, it was 529-6111. I haven't dialed that number in 20 years, but I still remember it. There was a little ad before the time and temperature, but the one I remember the best is the one that seemed to run the longest. The sponsor was Werlein's for Music, a local instrument and sheet music store that was a local chain, and had its flagship store on Canal Street, in the space now occuiped by the Palace Café. The "Werlein's for Music" sign still adorns the top of that building, though, and I was thrilled to see it had survived the winds of Katrina.
As for the ad, before you really knew what time it was there was a gravelly, Yatty, droning voice that intoned, "Guitaws, drums, pianas, awgans 'n everything musical at Werlein's!" Then the robotic Time-and-Temperature Lady chimed in ... "Time ... three ... forty-seven. Temperature ninety degrees."
I'd still use the Time Lady every now and again to set my watch.
529-6111, now 853-1212. Gone. Sigh.
[ Link to today's entries ]
Tuesday, August 28, 2007 Cocktail of the day: The Toronto. Taking Murray's suggestion from the comments on the Hanky Panky yesterday, we decided to continue at full speed past the Branca Barrier. The Toronto Cocktail, from The Fine Art of Mixing Drinks, David A. Embury's classic cocktail tome from 1948, was the choice and as it was Wes' turn to mix last night, I passed the recipe on to him. Since he thoguht that Embury's rather large proportions might make too big a drink (and after a long day at work, who wants to do math?), he decided to check a recipe on CocktailDB.com:
Toronto Cocktail
(CocktailDB.com version)2 ounces rye whiskey.
1/4 ounce Fernet Branca.
1/4 teaspoon sugar.
1 dash Angostura bitters.
Stir with ice in a mixing glass for at least 30 seconds. Strain into a chilled cocktail glass. Add an orange slice garnish.*sip* ... hey, it's pretty good. I kinda like this. The medicinal quality is there, more there than it was in the Hanky Panky, but it wasn't smacking me across the face, it was waving at me from the other side of the creek. It's quite an eye-opener, though, as it's really really dry. Not that there's anything wrong with that, of course; I do like dry cocktails as compared to really sweet ones. But maybe this one could be a little less dry. "I don't think there's enough sugar," Wes agreed. "I'd go with a whole teaspoon next time." We did enjoy the drinks, though, but we certainly want to try the other version.
In Embury's book the Toronto is listed among the "Whiskey Cocktails of the Aromatic Type," along with the Old Fashioned, and is actually described as "a modified Old-Fashioned." The first recommendation is to serve it with ice in an Old-Fashioned glass, with stir-and-strain as the second. I think next time we make this it'll be with the original Embury proportions (although not his exact recipe; we'll continue with Murray's recommendation of our beloved Rittenhouse 100-proof rye instead of the Canadian).
Toronto Cocktail
(David Embury recipe with Murray Stenson's variation)3 ounces Rittenhouse 100-proof rye whiskey.
1 ounce Fernet Branca.
1/2 ounce simple syrup.
1 dash Angostura bitters (optional).
Build with ice in an Old-Fashioned glass and stir until the sides of the glass are frosty. Garnish with a curly strip of orange peel.I'm also thinking of a variation that'll hearken back to my medicinal use of Branca, in hot water with honey -- maybe we'll see how it tastes with honey syrup (as long as drinking this drink doesn't make me think of being sick).
New Orleans' Best Cocktails: The French 75. Master bartender Chris McMillian of the Library Lounge in New Orleans continues his excellent video series with a World War I-era classic. There's a bone of contention over the recipe of this drink, with some claiming that it's a brandy drink, and even making Cognac connections from France to New Orleans in describing an appropriate lineage. The overwhelming consensus is that this is a gin-based cocktail, even though if you go to the French 75 Bar at Arnaud's Restaurant in the French Quarter (one of my favorite bars) you'll get it with brandy. I like it better this way.
That said, the brandy version is good too!
Great news!! I got an email a week or so ago from Howard Rascoll informing me that the legendary Gene's Po-Boys, in the big pink building at the corner of Elysian Fields and St. Claude down in da Nint' Ward of New Orleans, is once again serving their marvelous hot sausage po-boys. "Gene's always made their own hot sausage, but Katrina wiped out our machines," said Howard. Even though they were able to reopen last year after being heavily damaged by both Hurricane Katrina and the Army Corps of Engineers' flood, there was no hot sausage on the menu. Looks like they got some new ones!
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HOORAY! If you're in New Orleans at the moment (which unfortunately I am not, and won't be for almost three months), hie thee to Elysian Fields and St. Claude and get yourself the best hot sausage poor boy in the city of New Orleans (which I hope it still is). Don't forget the cheese.
"Life is worth living again!!!" writes Howard. Yeah you rite!
Piiigs ... ooooon ... liiiiiine! Yesterday I got an email from Ed in the U.K., who wrote to tell us of a present his lovely wife got him "just before our second Scottish wedding." (Wow, I bet that was fun.)
It's part of a series of online courses offered by an outfit called River Cottage, and specifically referring us to one called Online Pigs and Pork:
In this course you will learn the basic principles of good pig husbandry, the process of butchering a pig, and how to make your own air-dried hams, brine-cured hams, brawn, bacon, sausages, chorizos and salamis.
The course isn't just for pig keepers. You'll find it invaluable when buying your pork from your butcher or farmer.
You certainly don?t need to have your own pig to try out the selection of River Cottage recipes, which range from the simple to the more adventurous. All of the content is explained using video tutorials from Hugh and Ray, along with step-by-step guides which can be printed out. At the end of the course, you will be able to use everything but the oink! This course is suitable for small-holders, home pig-rearers, or just people who want more from their pork!
And let's face it, folks ... who doesn't want more from their pork?
The online course is available for a fee of £20 (about $40 in withering U.S. dollars), or for £35 you can become a member of River Cottages and get all their courses, including others on mushrooms and fish catching and cooking. Thanks for the tip, Ed! Here's hoping your lovely wife gets you the absinthe you want for your birthday. (And since Liqueurs de France ships from the U.K. anyway, your shipping costs are likely to be a lot cheaper than mine.)
Speaking of wanting the most from your pork, if you're a pork fanatic you'll definitely want to read the most excellent book Pig Perfect: Encounters with Remarkable Swine and Some Great Ways to Cook Them
. Author Peter Kaminsky searches the world for the best pork, and you'll learn why the best pork in the world is light-years removed from the shrink-wrapped, flavorless stuff at your local supermarket; in fact, you'll learn that the best pork in the world is from a particular strain of pigs that are allowed to roam and forage on acorns and peanuts, and why that makes their meat indescribably delicious, and their fat almost good for you.
A day in the life of New Orleans. Los Angeles Times reporter Robert Fausset takes you through his former hometown, "from daybreak to closing time, with diary entries that capture the faces and voices of a battered city that lives nonetheless by the defiant credo of its Mardi Gras Indian troupes: 'We won't bow down.'"
From an early morning start in New Orleans East to the Upper Ninth, Lower Ninth and Faubourg St. John, around town and into the projects, to the Columns on St. Charles and finishing up in the Marigny. It starts backwards from the top of the page, so if you want to read it in order go down to the bottom.
[ Link to today's entries ]
Monday, August 27, 2007 Cocktail of the day: The Hanky Panky. This is one that I had noticed in The Savoy Cocktail Book, which compiled by The Savoy Hotel's head barman Harry Craddock in 1930, but I never made it because it was was one that I feared. Why? Because I feared Fernet Branca, one of the three (four, really) ingredients called for in this drink.
I have a history of fearing rather odd drink ingredients -- there were days years ago when I feared both gin and vermouth, and now I'm gleefully swilling both of them nearly every day. I even grew to love Italian bitters, both as aperitivi and digestivi: Campari, Ramazzotti, Cora, Averna, Nonino ... I grew to love them all. But not Fernet Branca. For the longest time it was the sole bottle in our bar that we kept around strictly for medicinal purposes.
Lest you chuckle at that old excuse for keeping alcohol around, it's true. It's a strong herbal liqueur, and as we've known for centuries herbs are used medicinally, and have effects on human physiology. I once heard a guy refer to Fernet Branca as "the medicine chest in my bar," which for years was an apt description. If I ever had an upset stomach or nausea, particularly from overindulgence, all I needed was one shot of Fernet Branca and I would invariably feel better in less than five minutes. Hardcore Italian drinkers would take it as a shot, or sipped over ice; the person from whom I got the online tip recommended it the way his Italian grandmother took it, in a teacup with hot water and a tablespoon of honey.
The thing about Fernet Branca is not just its bitterness and herbal quality, which I can take and actually do enjoy. It's got a pretty overwhelming astringent medicinal quality to it that tended to remind me too much of the Nasty Medicine I had to take all through my childhood. I knew it had good stuff in it, but why must it have a layer of Nasty Medicine on top?!
Over the past few years Wes and I had tried a few cocktails that called for Fernet Branca as an ingredient. We never could get past that medicinal quality, and never made them again, nor any other Fernet Branca cocktails. I kind of gave up.
Then, two Fridays ago, there was another in a long series of advanced post-graduate cocktailian colloquia -- i.e., an evening of drinking at Dr. Cocktail's house. After waking up our palates with the liquid equivalent of a 2x4 upside the head -- sips of two wormwood-flavored bitter liqueurs (but not absinthes), Gorki List Pelinkovac from Serbia and the Swedish-style but Florida-made Malört, which Doc calls "eau de vie de dill pickle" and which is apparently hugely popular in biker bars, and both of which we rather liked -- we were offered a Fernet Branca-containing cocktail. If it comes from the Doctor's bar, I will try it, no matter what, so he told us about a drink invented by one Ada Coleman, who began work at the Savoy Hotel's bar in London in 1903, a drink that became her most famous and longest-lived. Harry Craddock, who began work there in 1920 and who published The Savoy Cocktail Book in 1930, included it due to its continuing popularity.
The trick with this one, explained Doc, was using a really large orange twist not only to garnish the drink but from which you express as much orange oil as you can. The orange oil sprayed onto the surface of the drink, both for flavor and aroma, is what tames the Fernet Branca, reels it in, transforms it from Nasty Medicine to a marvelous subtle complexity.
I seem to recall Doc making this with a 2:1 proportion of gin to vermouth (I'll have to double-check with him later), but we did it at the original proportion of 1:1. We did take Doc's suggestion, since it worked so well the first time we tasted it, to up the Fernet Branca content from 2 dashes to 1/4 ounce, and to make sure we sprayed a lot of orange oil from the peel.
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The Hanky Panky Cocktail
(Created by Ada Coleman, The American Bar, Savoy Hotel, London, early 20th Century)1-1/2 ounces dry gin.
1-1/2 ounces sweet vermouth.
1/4 ounce Fernet Branca.
Large slice of orange peel (1-1/2" x 4" approx.)
Stir with cracked ice for no less than 30 seconds, and strain into a chilled cocktail glass. Twist the peel over the drink to spray out as much orange oil as you can onto the surface of the drink; garnish with the peel.(Dr. Cocktail variation from CocktailDB.com)
1-3/4 ounces gin.
3/4 ounce sweet vermouth.
1/4 ounce Fernet Branca.It was very cool indeed to sip this drink while toasting its creator, who conceived of it nearly a century ago. I also have Ada (and Doc) to thank for finally breaking my fear of Fernet Branca, as we'll make the Hanky Panky often. Next goal, to have it in a cocktail without a big spray of orange oil to keep it in check.
Bacon world domination continues. I should read Michael Ruhlman's weblog more often -- it's very entertaining, and I love the way he writes about food, especially as I've enjoyed his books The Making of a Chef, The Soul of a Chef, The Reach of a Chef and others (he's also co-written huge cookbooks with Chefs Eric Ripert and Thomas Keller, and collaborated on that charcuterie book I really want).
A few days back Ruhlman railed against what he alternately calls "the shame of the chicken Caesar" or even "the catastrophe of the chicken Caesar."
Does anyone know who first put cooked chicken breast on a Caesar salad and called it a Chicken Caesar? I wish I did. I've been upset about this at least for two years now because I remember railing to Todd English and Ming Tsai about it as we traveled together for an erstwhile cooking show. "The Chicken Caesar is an emblem of the mediocrity of American cuisine!" I would cry. Ming would chuckle and turn up the volume on his iPod, and Todd more or less ignored me as a run-of-the-mill crank screaming into the nor'easter of American food culture. Or so I thought.
[...] Why is it so annoying to me? It's not that meat on a salad is bad. I love meat with salads -- tuna, chicken, and beef have rich salad histories throughout the world.
Every single laminated menu serving any kind of American or American hybrid food seems to include the Chicken Caesar (if it's Mexican, it will be a Chicken Caesar Taco). Why? Two reasons, neither of them hopeful. The Chicken Caesar is the default meal for America eating out. Don't know what to have, have the Chicken Caesar. Everything else looks like crap? Have the Chicken Caesar. Hard to screw it up. The Chicken Caesar exists because everything else about American cuisine at the major chain restaurants is of relentlessly dubious quality.
[...] I cringe when I see the Chicken Caesar because it represents an embrace of the misinformed and unimaginative American diner, who for better or worse continues to shape our menus. I'll have a salad, the reasoning goes, because it's healthy (let's disregard what it's slathered with), and I'm hungry so let's pile on some chicken breast, the skim milk of the protein world. I'm not saying it's not healthy, that I don't like salad or that I think it would only be laudable were it a deep-fried pork belly Caesar (though I'd definitely give it a go if I ever saw that on a Cheesecake Factory menu -- we could batter it and call it the Chicken Fried Pork Belly Caesar!).
All I'm asking is for the corporate bodies that determine the menus of our mass market sit-down restaurants to consider a few more options beyond the mediocre Chicken Caesar. Put a little imagination into it!
I'm usually not dining in the kinds of places that offer a chicken Caesar as a menu option, fortunately, and I'm not sure I've ever even had one, for all of the aforementioned reasons. But, but ... that one mention ... deep-fried pork belly Caesar?!
Ruhlman's a man after my own heart, 'cause after tossing off that dish idea as a jokey aside, he went ahead and did it.
I humbly introduce ... The Chicken Fried Poke Belly Caesar. I didn't do the croutons because of the crispy nature of the pork but Donna suggested that for a truly innovative interpretation, we might cut the pork into crouton shapes, dredge and deep fry so that the salad would have all the appearances of a traditional Caesar. I love this idea and encourage Chris Cosentino to put it on his menu at Incanto.
The recipe is very simple, especially if you have some belly confit lying around with skin ... Bread and deep fry the slabs of belly until they're golden and crispy and the interior fat is molten. Serve simply, on cold crisp romaine lightly dressed with a lemony yolky dressing and garnish with excellent cheese. The dressing should be very acidic to stand up to all the fat!
Genius. (The post includes the full recipe and photos.) The Fat Pack will undoubtedly do this. I'll let y'all know when. (Thanks a million to Mike Stevens for the tip on this article!)
Keeping New Orleans in people's minds. Say what you will about the (in my opinion) declining Los Angeles Times, they've done a good job covering the situation in New Orleans over the past two years, and keeping the city's plight fresh in the minds of its readers.
On Saturday there was this update on the city:
After Katrina, hope and despair coexist
Two years later, recovery in the beleaguered city, such as it is, is a complex, dynamic and messy affair.
The middle-class homeowners who gathered here on a recent weeknight call themselves the Gentilly Civic Improvement Assn. It's an unexceptional name -- one that belies the epic challenges they face.
The members talked public high schools; they said it'd be nice if Gentilly had one again. They talked about the storm-blasted tree canopy, and playgrounds neglected by a challenged city government. They wondered whether grant money might help. Maybe bake sales.
They talked about forming a security patrol, with each household chipping in $26 a month: That day the police chief had announced that the citywide burglary rate had increased 73% since before Hurricane Katrina. Angele Givens, the association president, liked the patrol idea but raised an interesting issue: "If you own an empty lot in Gentilly right now, you don't have much impetus to pay it."
Givens should know. She tore down her house after it was ravaged by Katrina, and she is hoping to rebuild. She isn't even living in Gentilly these days.
Two years after their city was nearly annihilated by a levee failure, the residents of this middle-class New Orleans neighborhood acknowledged that their surroundings still looked pretty bad. But they also insisted that things were slowly getting better. Just 31% of Gentilly's 16,000 addresses were reoccupied or renovated as of March, according to a survey by a Dartmouth professor -- but an additional 57% were finally being fixed up.
Private citizens, not the government, deserved the credit, they said -- a source of grim humor among those laboring to mend the neighborhood.
"Of course, we should also thank George Bush, Kathleen Blanco and Ray Nagin," resident Robert Counce said sarcastically of the president, the governor and the mayor as the meeting wrapped up.
The renaissance in America's most beleaguered city, such as it is, is a complex, dynamic and messy affair. Progress lives alongside stagnation, hope alongside despair.
[more]
Then yesterday our friend Steve had a wonderful article on the state of the music scene (although we'd like to smack the headline-writer):
This is a town so inextricably linked to good times and revelry that a musician could practically make a name with one celebratory anthem. That's the case with Al "Carnival Time" Johnson. Since 1960, "Carnival Time," the song and the singer, have been mainstays of New Orleans' Mardi Gras celebrations. Even at other times of the year, his upbeat party tune, a musical tour of the Big Easy on Fat Tuesday, is played on the radio and performed at event after event by Johnson himself. Now he's singing a different tune. Johnson has released a new single, "Lower Ninth Ward Blues," which gives a very different tour of the city, a solo, gospel-ish piano accompanying his account of the devastation that came when the levees broke after Hurricane Katrina struck on Aug. 29, 2005. Many neighborhoods were left largely lifeless, including that of Johnson -- who describes the ruins of his house in one particularly moving verse.
The terrorist attacks of Sept. 11, 2001, led to some profound musical statements, but predictions that the horrific events would somehow introduce new meaning across the pop landscape evaporated within months. Two years after Katrina, the landscape of New Orleans music, like the landscape of the city itself, is radically different. Where the scene was dominated by party tunes and decades-old standards, where some of the most popular local acts could count on weekly gigs without having to stretch too much, now there's something deeper. And in a city where music more than anything -- except maybe food -- is its identity, something handed down from generation to generation, from Neville to Neville, Marsalis to Marsalis, this is crucial. The very repertoire of New Orleans music has undergone a sea change.Twenty-three forty-nine Tennessee Street
We shared good and bad memories
I don't know which way to go
Because my home is not there anymore.[more]
There were also a series of brief editorials, "Stitching Up New Orleans: "Katrina hit two years ago this week. How far has the city come; how far does it have to go? A newspaper editor, resident of the Lower 9th Ward, engineering professor and others give their thoughts."
A Times article today made me aware of an online non-fiction graphic novel (a.k.a. "webcomic," a term I'm not thrilled with either) entitled "A.D.: New Orleans After the Deluge" that I'd never seen before. It's really, really good -- Chapter 6 just went up, but you should go back and start reading from the beginning.
Also there was a recent bit about Brad Pitt, one of New Orleans' new best friends, who was on hand at a construction site in the Lower 9th Ward, a house based on a winning design in a competition he helped launch. The house has "many 'green' features, including blue walls treated with a nontoxic repellant for mold and termites."
"There's light coming in from all sides and a lot of ventilation," said Pitt, standing in what will be the living room. "A lot of thought has gone into this house."
The three-bedroom, single-family home is the first of five slated for the Holy Cross section of the Lower 9th Ward based on the winning design in a competition launched in 2006 by Pitt and the environmental organization Global Green USA.
The winning design, submitted by Matthew Berman and Andrew Kotchen of Workshop APD in New York, includes energy-saving appliances, a cistern, toilets designed for water conservation, soy-based insulation, paperless drywall, solar panels and a roof on the second-story deck designed to help insulate the house and channel water to the cistern.
It sounds fantastic, but my one worry from that picture is ... it doesn't seem to look like a Lower Ninth Ward house. Let's not forget how important historic architectural integrity is to the culture of the city.
Finally, a sad note -- former New Orleans Jazz coach Butch Van Breda Kolff died last Wednesday at the age of 84. He was a lot of fun to watch at Jazz games, and when I was at Holy Cross they honored him by making him an honorary alumnus -- he gave a great speech that day too.
[ Link to today's entries ]
Friday, August 24, 2007 See you at the ballpark, Harry. Legendary Camellia Grill waiter Harry Tervalon, who took care of me on my very first visit to the Camellia at age 16 and countless times thereafter, and who was possibly the world's biggest fan of the New York Yankees, died last night of cancer at the age of 87.
In 1946, Harry Tervalon Sr. was the first waiter hired at a new diner when it opened in the Riverbend.
It was called the Camellia Grill. Tervalon would go on to work behind its counter for 49 years, setting a standard for service not normally associated with restaurants where the majority of the food is cooked on grease-slicked griddles...
Tervalon retired in 1996 but remained an integral part of the iconic restaurant's identity to the end. When the Camellia opened last April for the first time since the levees broke, Tervalon cut the ribbon.
On Thursday, Camellia staff wore the message "RIP Harry" taped over their name tags. At 1 p.m., chef Matthew Tanner silenced the crowd by rapping on a metal shelf with the dull end of a heavy knife. He credited Tervalon for teaching the restaurant's staff about serving customers with personality and professionalism.
Tanner then honored Tervalon by repeating the signature weather report he'd give to anyone who asked:
"It's chilly in Gentilly, rainin' hard in St. Bernard, raisin' hell in Slidell, two below in Tupelo, little slippy in Mississippi, and all wet in Chalmette."
Man, I loved the weather report.
I also loved all the lingo he'd shout out to the chef after someone placed an order -- a burger or sandwich dresed was "put a dress on it!" A takeout order was "goin' bye-bye!" He was friendly and funny (even if you heard the same jokes over and over, they were still funny), and a consummate professional. He was there to make sure you had a good meal and a good time, and he always did a great job. I can't even count how many times he took care of me (and I'd always hope the timing of the wait was right so that I could be seated in his section (but if I ended up getting seated in Mr. Bat's section, I didn't mind at all). And always, his farewell was "See you at the ballpark!"
The first time I dined at the Camellia I was seated all the way to the right, and Harry took care of me. My first order was their Grilled Frankfurter with Cheese and Bacon Sandwich (which is really terrific and a lot better than it sounds), with fries, an iced tea and a chocolate freeze with ice cream for dessert. I was a little confused and unclear of the concept and protocols at the Camellia, and waited for Harry to present me with a bill so I could pay him. He in turn was waiting for me to leave my tip, take my order slip and head to the cashier (whom I hadn't really noticed on the way in because of the big crowd), and kept wondering why I was still sitting there. "Can I get you anything else?" he asked. "Water? Anything?" No thank you, I murmured, in those days still too shy to do something radical like say, "May I have the check please?" Eventually the puzzled Harry figured it out, and gently pointed me in the directi