looka, <'lu-k&> dialect, v.
1. The imperative form of the verb "to look", in the spoken vernacular of New Orleans; usually employed when the speaker wishes to call one's attention to something.
2. --n. Chuck Taggart's weblog, hand-made and updated (almost) daily, focusing on food and drink, music (especially of the roots variety), New Orleans and Louisiana culture, news of the reality-based community, movies, books, sf, public radio, media and culture, travel, Macs, liberal and progressive politics, humor and amusements, reviews, complaints, the author's life and opinions, witty and/or smart-arsed comments and whatever else tickles the author's fancy.
Please feel free to contribute a link if you think I'll find it interesting. If you don't want to read my opinions, feel free to go elsewhere.If you like, you are welcome to send e-mail to the author. Your comments on each post are also welcome; however, right-wing trolls are about as welcome as a boil on my arse. Search this site:
"Doctors, Professors, Kings and Queens: The Big Ol' Box of New Orleans" is a 4-CD box set celebrating the joy and diversity of the New Orleans music scene, from R&B to jazz to funk to Latin to blues to zydeco to klezmer (!) and more, including a full-size, 80-page book. New Orleans music for disaster relief
Produced, compiled and annotated by Chuck Taggart (hey, that's me!), liner notes by Mary Herczog (author of Frommer's New Orleans) and myself. Now for sale at your favorite independent record stores, or order directly from Shout! Factory Records, where all profits will be donated to New Orleans disaster relief.
The box set was the subject of a 15-minute profile on National Public Radio's "Weekend Edition" on Feb. 6, 2005, and a segment on Wisconsin Public Radio's "To The Best of Our Knowledge" on Apr. 3, 2005. Here are some nice blurbs from the reviews (a tad immodest, I know; I'm not generally one to toot my own horn, but let's face it, I wanna sell some records here.)
* * * "More successfully than any previous compilation, Doctors... captures the sprawling eclecticism, freewheeling fun and constant interplay of tradition and innovation that is at the heart of Crescent City music." -- Keith Spera, New Orleans Times-Picayune.
"... if you DO know someone who's unfortunate enough to have never heard these cuts, press this monumentally adventurous box and its attendant booklet upon them. It's never too late to learn" -- Robert Fontenot, OffBeat magazine, New Orleans
"... the best collection yet of Louisiana music." -- Scott Jordan, The Independent, Lafayette, Louisiana.
"[T]he year's single most awesome package" -- Buddy Blue, San Diego Union-Tribune
"This four-CD box set doesn't miss a Crescent City beat ... For anyone who has enjoyed the New Orleans Jazz & Heritage Festival, this is Jazz Fest in a box. ***1/2" -- Dave Hoekstra, Chicago Sun-Times
"... excellently compiled, wonderfully annotated ... New Orleans fans will know much of this by heart, though they may not remember it sounding so good; those who don't know what it's like to miss New Orleans will quickly understand." -- Terry Lawson, Detroit Free Press.
"... a perfect storm when it comes to reissues. This box set is musically exciting, a complete representation of its subject matter, and just plain fun to listen." -- Charlie B. Dahan, AllAboutJazz.com
"... one of the best impressions of a city's musical blueprint that you're likely to ever find." -- Zeth Lundy, PopMatters.com
"... an unacademic, uncategorized album that suits the city's time-warped party spirit." -- Jon Pareles, The New York Times
Digital Dish is the first ever compilation volume of the best writing and recipes from food weblogs, and includes essays and recipes contributed by me. Find out more and place an order!
U.S. orders: Non-U.S.: My Photos on Flickr
www.flickr.com
Quotationable: "To announce that there must be no criticism of the president, or that we are to stand by the president right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."
-- Theodore Roosevelt, 26th President of the United States (1901-1909), speaking in 1918"There ought to be limits to freedom."
-- George W. Bush, May 21, 1999"You don't get everything you want. A dictatorship would be a lot easier."
-- George W. Bush, describing what it's like to be governor of Texas, Governing Magazine, July 1998"If this were a dictatorship, it would be a heck of a lot easier, just so long as I'm the dictator."
-- George W. Bush, CNN.com, December 18, 2000"A dictatorship would be a heck of a lot easier, there's no question about it."
-- George W. Bush, Business Week, July 30, 2001
Looka! Archive
(99 and 44/100% link rot)October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
2004: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2003: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2002: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2001: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2000: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
1999: Jul, Aug, Sep, Oct, Nov, Dec.
How to donate to this site: Your donations help keep this site going. PayPal's the best way -- just click the button below, and thanks!
You can also donate via the Amazon.com Honor System, if you wish (but they deduct a larger fee from your donation and I keep less).
(Also, here's a shameless link to my Amazon Wish List.)
Buy stuff! You can get Gumbo Pages designs on T-shirts, mugs and mousepads at The Gumbo Pages Swag Shop!
Friends with pages: bill
dule
ellen
jon
jordan
mary katherine
michael p.
nancy
pat and paul
peter
robb
sean
steve
ted
todd
tracy and david
Talking furniture: WWOZ (New Orleans)
Broadcast schedule
Live audio stream
KCSN (Los Angeles)
Broadcast schedule
"Down Home" playlist
Live MP3 audio stream
PublicRadioFan.com
(Comprehensive listings)
Air America Radio
(Talk radio for the
rest of us)
Folkscene
Joe Frank
Grateful Dead Radio
(Streaming complete
shows!)
KPIG, 107 Oink 5
(Freedom, CA)
KRVS Radio Acadie
(Lafayette, LA)
LouisianaRadio.com
Mike Hodel's "Hour 25"
(Science fiction radio)
Radio Free New Orleans
Raidió na Gaeltachta
(Irish language)
RootsWorld's Rootsradio
RTÉ Radio Ceolnet
(Irish trad. music)
WXDU (Durham, NC)
Cocktail hour: CocktailDB
The Internet's most comprehensive
and indispensible database of
authenticated cocktail recipes,
ingredients, reseearch and more.
By Martin Doudoroff & Ted Haigh)
Museum of the American Cocktail
Founded by Dale DeGroff and many
other passionate spirits, Jan. 2005.
Celebrating a true American cultural
icon: the American Cocktail.
* * * The Sazerac Cocktail
(The sine qua non of cocktails,
and the quintessential New Orleans
cocktail. Learn to make it.)
The Footloose Cocktail
(An original by Wes;
"Wonderful!" - Gary Regan.
"Very elegant, supremely
sophisticated" - Daniel Reichert.)
The Hoskins Cocktail
(An original by Chuck;
"It's nothing short of a
masterpiece." - Gary Regan)
Chuck & Wes' Cocktail Menu
(A few things we like to
drink at home, plus a couple
we don't, just for fun.)
* * * The Alchemist
(Paul Harrington)
Alcohol (and how to mix it)
(David Wondrich)
Ardent Spirits
(Gary & Mardee Regan)
The Cocktail Chronicles
(Paul Clarke's weblog)
The Cocktailian Gazette
(The monthly newsletter of
The Museum of the
American Cocktail.)
DrinkBoy and the
Community for the
Cultured Cocktail
(Robert Hess, et al.)
DrinkBoy's Cocktail Weblog
Happy Hours
(Beverage industry
news & insider info)
King Cocktail
(Dale DeGroff)
La Fée Verte
(All about absinthe
from Kallisti et al.)
LUPEC.org
(Ladies United for the
Preservation of
Endangered Cocktails)
Fine Spirits & Cocktails
(eGullet's forum)
Martini Republic: Drinks
(featuring posts by Dr. Cocktail!)
The Modern Mixologist
(Tony Abou-Ganim)
Mr. Lucky's Cocktails
(Sando, LaDove,
Swanky et al.)
Nat Decants
(Natalie MacLean)
Spirits Review
(Chris Carlsson)
Tastings.com
(Beverage Tasting
Institute journal)
Vintage Cocktails
(Daniel Reichert)
Let's eat! Food-related weblogs:
Appetites
Chocolate and Zucchini
Honest Cuisine
Il Forno
KIPlog's FOODblog
MeatHenge
Mise en Place
Notes from a New Orleans Foodie
Sauté Wednesday
Simmer Stock
Tasting Menu
Waiter Rant
More food!
à la carte
Chef Talk Café
Chowhound
eGullet
Epicurious
Food Network
The Global Gourmet
A Muse for Cooks
The Online Chef
Pasta, Risotto & You
Slow Food Int'l. Movement
So. Calif. Farmer's Markets
Zagat Guide
&c.
In vino veritas. The Oxford Companion to Wine
Wally's Wine and Spirits
The Wine House
wines.com
The Wine Spectator
Wine Today
Zinfandel Advocates & Producers
Wine shops in our 'hood:
Colorado Wine Co., Eagle Rock
Silverlake Wine, Silverlake
Chronicle Wine Cellar, Pasadena
Reading this month: The Devil You Know, by Poppy Z. Brite.
Microcosmic God: The Complete Stories of Theodore Sturgeon, Vol. 2, by Theodore Sturgeon.
Ken and Thelma, by Joel L. Fletcher.
McSweeney's Enchanted Chamber of Astonishing Stories, edited by Michael Chabon.
Listen to music! Chuck's current album recommendations
Altan
BeauSoleil
Beck
Luka Bloom
La Bottine Souriante
Billy Bragg
Cordelia's Dad
Jay Farrar
The Frames
Kíla
Sonny Landreth
Los Lobos
Christy Moore
Nickel Creek
OK Go
The Old 97s
Anders Osborne
Planxty
The Proclaimers
Professor Longhair
Red Meat
The Red Stick Ramblers
The Reivers
Zachary Richard
Paul Sanchez
Marc Savoy
Son Volt
Richard Thompson
Toasted Heretic
Uncle Tupelo
Wilco
Tom Morgan's Jazz Roots
Miles of Music
New Orleans Bands.net
New Orleans Jazz & Heritage Festival
No Depression
RootsWorld
Appalachian String Band Music Festival - Clifftop, WV
Long Beach Bayou Festival
Strawberry Music Festival - Yosemite, CA
Photography: A Gallery for Fine Photography, New Orleans (Joshua Mann Pailet)
American Museum of Photography
California Museum of Photography, Riverside
International Center of Photography
Ansel Adams
Jonathan Fish
Noah Grey
Greg Guirard
Paul F. R. Hamilton
Clarence John Laughlin
Herman Leonard
Howard Roffman
J. T. Seaton
Jerry Uelsmann
Gareth Watkins
Brett Weston
The Mirror Project
(My pics therein: 1, 2, 3, 4, 5.)
Chuck's Photo of the Day Archive
Comix: The Amazing Adventures of Bill,
by Bill Roundy
Bloom County / Outland / Opus,
by Berkeley Breathed
Bob the Angry Flower,
by Stephen Notley
The Boondocks,
by Aaron McGruder
Calvin and Hobbes,
by Bill Watterson
Doonesbury,
by Garry B. Trudeau
Electric Sheep Comix
by Patrick Farley
Get Your War On
by David Rees
Goats
by Jonathan Rosenberg
L. A. Cucaracha
by Lalo Alcaraz
Leviathan,
by Peter Blegvad
Lil' Abner,
by Al Capp
Lulu Eightball,
by Emily Flake
The Mostly Unfabulous Social Life of Ethan Green,
by Eric Orner
Pogo,
by Walt Kelly
Ted Rall,
by Ted Rall
This Modern World,
by Tom Tomorrow
XQUZYPHYR & Overboard,
by August J. Pollak
Lookin' at da TV: "The West Wing"
"Lost"
"Battlestar Galactica"
"The Sopranos"
"Six Feet Under"
"Deadwood"
"Malcolm In The Middle"
"Star Trek: Enterprise"
"ER"
"House"
"Smallville"
"One Tree Hill"
"Queer Eye for the Straight Guy"
"The Simpsons"
"Father Ted"
The Food Network
tvpicks.net
Must-reads: Polly Ticks:
AlterNet.org (Progressive politics & news)
Daily Kos (My favorite political weblog)
Eschaton (The Mighty Atrios)
Hullaballoo (The Mighty Digby)
Media Matters for America (Debunking right-wing media lies)
Orcinus (David Neiwert)
PostSecret (Secrets sent in via postcards; astonishingly beautiful, funny and sad.)
Talking Points Memo (Josh Marshall)
TAPPED (The American Prospect Online)
Think Progress
TruthOut (William Rivers Pitt & Co.)Miscellany::
Borowitz Report (Political satire)
The Complete Bushisms (quotationable!)
The Fray (Your stories)
Landover Baptist (Better Christians than YOU!)
Maledicta (The International Journal of Verbal Aggression)
The Morning Fix from SF Gate (Opinions, extreme irreverence)
The New York Review of Science Fiction
The Onion (Scarily funny news/satire)
"Rush, Newspeak and Fascism: An exegesis", by David Neiwert. (Read this.)
Whitehouse.org (Not the actual White House, but it should be)
Weblogs I read: AmericaBlog
American Leftist
BoingBoing
The BradLands
CamWorld
Cardhouse
The Carpetbagger Report
Cheesedip
Considered Harmful
Crabwalk
Creek Running North
Anil Dash
Ethel the Blog
Follow Me Here
Franklin Avenue
Ghost in the Machine
Goluboy
Hit or Miss
The Hoopla 500
Jesus' General
Mark A. R. Kleiman
kottke.org
The Leaky Cauldron
Letting Loose With the Leptard
Little. Yellow. Different.
Making Light
Martini Republic
Medley
Mister Pants
More Like This
Mr. Barrett
Neil Gaiman's Journal
News of the Dead
No More Mr. Nice Guy!
NowThis.com
Pandagon
August J. Pollak
Q Daily News
Real Live Preacher
Respectful of Otters
Roger "Not That One" Ailes
Ted Rall
Sadly, No!
This Modern World
WendellWit.com
Whiskey Bar
What's In Rebecca's Pocket?
Windowseat
Your Right Hand Thief
Matthew's GLB blog portalMy Darlin' New Orleans: Gambit Weekly
NOLA.com
OffBeat
WDSU
WWL
New Orleans ...
proud to blog it home:
Home of the Groove
Library Chronicles
Metroblogging N.O.
World Class New Orleans
The Yat Pundit
Your Right Hand Thief
The Final Frontier: Astronomy Pic of the Day
ISS Alpha News
NASA Human Spaceflight
Spaceflight Now
SF: Locus Magazine Online
SF Site
SFWA
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Déanta: This page is coded by hand, with BBEdit 4.0.1 on an Apple G4 15" PowerBook running MacOS X 10.3 if I'm at home; occasionally with telnet and Pico on a FreeBSD Unix host running tcsh if I'm updating from work. (I never could get used to all those weblogging tools.)
"Eating, drinking and carrying on..."
Wednesday, November 30, 2005 Little dribs toward normal life. It's still bad. My good friend Michael has been taking "therapeutic" bike rides through devastated neighborhoods in New Orleans, and while it's been depressing him it's also good to keep a grip on reality. We rejoice at every step that's taken (e.g., Audubon Zoo reportedly stationing people at the gates on reopening day just to hug weeping locals who lined up to see the zoo again) toward resuming normal life in New Orleans, but no good can come of wearing blinders and never leaving the Quarter or the Garden District. New Orleanians must be aware of what's going on (and more importantly, what's not going on) in the city.
That said, there's another thing to rejoice about ... Kermit's going to start playing Vaughan's again tomorrow night.
That's Vaughan's, as it looked on October 11, 2005, six weeks after Katrina -- a little battered from wind but looking more or less okay. It reopened not long after, and tomorrow finally gets back into the swing of things. Thursday nights at Vaughan's means Kermit and barbecue, and that'll be a most welcome return. I wish I could be there.
GW Fins on St. Louis Street in the Quarter reopened last Friday, just in time to entertain my folks for their 45th wedding anniversary. Arnaud's reopens tomorrow. Ben Franklin Elementary reopened yesterday, the first Orleans public school to do so. My new issue of New Orleans Magazine hit my mailbox, leading to a gasp and a watery eye. Baby steps.
There are still fewer than 90,000 full-time residents of the city, though, down from 450,000 before Katrina. Daytime population is about 150,000, as some people commute in from elsewhere.
Scum. Meanwhile, the Bush crony appointed to "coordinate Katrina recovery" won't commit to a stronger levee system. What we should do is make him wish he'd have never taken the job until he tells his bullshitting government to make that commitment. I must admit I kinda like the idea of New Orleans sealing off the flow of commerce it provides to the rest of the nation; if only we could do it without hurting the city.
We've also now been told that the 17th Street Canal floodwalls were "doomed", and that the disaster was entirely man-made due to the Corps of Engineers' astonishing screwups in constructing the levees and floodwalls, now being called "the costliest engineering mistake in American history." Whose heads will roll over this? Anyone's?
Investigators have been puzzled by the corps' design since it was made public in news reports. They said it was obvious the weak soils in the former swampland upon which the canal and levee were built clearly called for sheet piles driven much deeper than the canal bottom. It was not a challenging engineering problem, investigators said.
Prochaska said a rule of thumb is that the length of sheet piling below a canal bottom should be two to three times longer than the length extending above the canal bottom.
"That's if you have uniform soils, and we certainly don't have that in the New Orleans area," he said. "It kind of boggles the mind that they missed this, because it's so basic, and there were so many qualified engineers working on this."
Were they all smoking crack? Or more likely, did they do as the levee safety inspectors did, cutting the inspections short, to just a few hours for the entire system, so that they could all knock off and go to a restaurant for a long lunch?
Someone must answer for this.
It's enough to fill anyone with overwhelming outrage; for instance, our friend Ashley (not safe for work, younger readers, little blue-haired old ladies or anyone offended by lots and lots of swearing).
Cartoon of the day. This week's installment of the always-wonderful "This Modern World" brings us an American parable ...
Click for full cartoon
Yeah, we wanted them to fail and we hate America, too!
Quote of the day. From today's Los Angeles Times ...
"There is a list of things now where it appears we would have been better off if Gray Davis were governor."
-- Mike Spence, president of the California Republican AssemblyVia Wes, who adds, "Oh, the sheer comedy of it all ..."
The misleaders. Slate asks, "Who does Dick Cheney think he's kidding?" The second paragraph of this excerpt is the very definition of bullshit, from an administration that has raised bullshit to a horrific art form:
Another giveaway is the administration's lack of outrage over the bad intelligence they now claim to have been victimized by. Only Colin Powell, before his U.N. speech, seems to have pushed back with any skepticism about charges he was being asked to retail. And only Powell has expressed any outrage after it became evident that his U.N. speech had been a case of garbage in, garbage out.
Powell's old colleagues now defend themselves by saying they didn't know their claims about Iraq weren't true. But the truth is most of them didn't care whether their assertions were true or not, and they still don't.
More vapid bullshit this morning, too. I couldn't bear to listen.
Bill O'Reilly is truly batshit insane. Allegedly! (As Kathy Griffin would say.)
Here he is ranting on the radio (and don't miss the audio) about a "very secret plan" by the "secular progressive movement" to "diminish Christian philosophy in the USA", which begins by stopping people from saying "Merry Christmas". He goes on to rant about how the conspiracy (which must have been going on for decades) has "wiped out religion ... in every secular progressive country", then goes on to name such countries: Stalin's Soviet Union, Hitler's Nazi Germany, Mao's China and Castro's Cuba. ("Secular progressive" countries?) Then he lashes out at the "hateful liars" who are in fact asking serious questions about Bush, Cheney and their Iraq agenda and how he's "gonna bring those people down."
And on his TV show? Batshit insane. (You really can't make this stuff up, it's priceless.)
The voices in his head must be quite something.
Talkin' 'bout egg nog (egg nog!) ... Ah, I love mondegreens. That's a term applied to misheard lyrics, as in "Heartbreaker, with your bowling ball" that I mentioned a while back. Steve found a site that collects many of these, and it contained a New Orleans classic, "Iko Iko". It's a song based on Mardi Gras Indian chants, first recorded commercially by James "Sugarboy" Crawford in the mid-1950s, then by myriad artists from Dr. John (my favorite rendition) to the Dixie Cups to even the Grateful Dead (and the Deadheads insisted on misspelling it as "Aiko Aiko"). The Belle Stars did a version way back when, and that was the basis for this chuckleworthy entry in the annals of misheard lyrics.
("Jack him off in a lake?" Now really.)
And while we're on the subject of New Orleans song lyrics, it seems that the Meters actually prophesied Katrina and the flood back in 1975.
[ Link to today's entries ]
Monday, November 28, 2005 Surviving Thanksgiving. I did. Two-and-a-half pounds heavier, and with a three-alarm hangover on Friday, but I survived. No kitchen disasters, no burns, no cuts, and everything came out great.
We started off with lots of cheese -- Manchego, aged white cheddar, a really smelly blue (the variety of which I forgot), cave-aged Emmenthaler, Taleggio, and Dubliner with membrillo (quince paste). Tom also made a platter of goi cuon, Vietnamese spring rolls, plus there were those fabulous Thai chile and lime cashews from Trader Joe's, cornichons, pickled okra from Louisiana, Lucques and spiced Sicilian black olives and some Pineau des Charentes as an apéritif. Before a single dish came out of the kitchen, Gregory said, "Just put the turkey and everything into Tupperware ... I'm full."
Oh yeah, the turkey. When it came to turkeys, for years I was Mr. Brine -- soak that sucker in flavored salt water overnight, and good ol' osmosis will draw fluid into the meat, making it nice and plump and juicy. There's just one thing ... it's a royal pain in the ass to brine a turkey, especially a large one. My researches indicated that if you've got a really high-quality fresh (not frozen) bird and you roast it properly, you're going to get very moist white and dark meat. The turkey was a free-range one from Bristol Farms (a 20-pounder at $2.99/lb. made it a little pricey at $60, but it was very much worth it; the heritage turkey at $5.99/lb. was out of our reach this year), and I thought for a while about how I wanted to treat it.
What I came up with was a mixture of a little more than a stick of softened butter (Kerrygold Irish, mmmmm) mixed with about a half a cup of apple butter. I reserved about a quarter-cup of it for the gravy, and the rest got rubbed under the breast skin. Inside the front cavity went a quartered apple. Inside the main cavity went another quartered apple, a quartered onion, and big sprigs of fresh thyme, sage, rosemary and tarragon; then, the legs were tied with twine. The outside was rubbed with olive oil, seasoned with kosher salt, freshly ground black pepper and Creole seasonning, and along the top of the turkey I placed four nice, fatty strips of bacon.
I will never not put bacon on a turkey ever again (except if I try soaking cheesecloth in bacon fat and putting that on top instead).
Some more quartered onions and carrots in the bottom of the pan, along with 2 cups of homemade turkey stock, then into 325°F oven for about 4.5 hours. I covered the entire roasting pan with foil, sealing the edges, for the first hour and 45 minutes, then removed it to let the skin get chestnut brown and crispy. The bacon slowly melted and basted the breast with trickles of bacon fat, then crisped up and adhered to the skin. The temperature probe was set to 165°F, and when it rang the turkey rested for 30 minutes while the sides cooked.
It was perfect. Flavorful, insanely juicy, and with bacon attached to the skin. (Next year I'm bacon-wrapping the drumsticks, too.) Brining, shmining.
The gravy was the pretty standard preparation -- pour off drippings, deglaze pan with a little turkey stock, scrape up brown bits, strain it all, skim off the fat (saving a few tablespoons for roux), add turkey stock to get about six cups. Make a roux with the turkey fat and a quarter-cup of flour, add to the hot stock and drippings, then I mixed a few more tablespoons of flour with the reserved butter-apple butter and made a paste and used that to thicken the gravy more. Bring to a boil and simmer until thick, season with salt and pepper. Yum. (If we hadn't had a guest who was allergic to alcohol, I would have added some Calvados or applejack as well.)
So there we have it ... Roasted Turkey with Apple Butter and Bacon, with Giblet Gravy.
The stuffing came out great, too ... Ciabatta Bread Stuffing with Smoked Duck and Brandy Sausage, Celeriac, Chestnuts and Figs. It was a takeoff on my basic cornbread and andouille dressing, except I substitued ciabatta for cornbread, duck sausage for andouille, and added about a cup and a half each of quartered chestnuts and dried Mission figs. (The chestnuts came roasted, peeled and packaged from Trader Joe's, which was a huge time saver.)
Second stuffing for the vegetarian crowd, Cornbread and Chestnut Stuffing, made with jalapeño and green onion cornbread, plus lots of leftover diced celeriac from the other stuffing. I also improvised another dish for our vegetarian guest, so that she didn't have to eat just side dishes all day -- I took some of those TJ's Thai chile-lime cashews, whizzed them in the blender and made a spicy cashew butter. That went inside roasted portobello mushrooms brushed with garlic oil, then sprinkled with the fried garlic from the oil, some thinly-sliced red onions that had marinated in rice vinegar and sugar, and some fresh cilantro. That came out really well.
The yams were my trademark holiday dish, Spiced Sweet Potatoes and Pears with a Bourbon and Louisiana Cane Syrup Glaze. Somewhat labor-intensive but a very pretty presentation, always good and always very popular.
I don't usually make mashed potatoes for Thanksgiving, but since Wes' sister was coming, I knew that she would be shocked and appalled at the idea of a Thanksgiving without mashed taters. Instead of the usual I did it with an Irish twist, one of my favorite ways to make mashed potatoes -- Scallion Champ. It's dead easy; just slice up some green onions and heat them up with the milk for the potatoes, and let it infuse for a little while, then add it all with tons of butter. (I also used half-and-half this time instead of milk, for some extra richness.) Fab.
I wanted to provide a bit more for the vegetarians, so I also did a quick and easy green vegetable side -- Asparagus in Brown Sage Butter with Parmigiano-Reggiano. Also dead easy; blanch the asparagus and shock it in ice water the day before, and then while the turkey's resting make a brown butter (i.e., melt and cook butter until the solids begin to brown and it gets a nutty flavor and aroma), throwing in some fresh sage leaves about halfway through. Drizzle that over the asparagus, cover and stick in the oven for 10 minutes or so until warmed through, then grate a bunch of Parmigiano over it. If I were serving fewer people I'd also fry some eggs in the brown butter, sunny-side up, then serve them over the asparagus. When you break the yolks, it makes a fabulous sauce. (That's a trick I learned from Mario Batali.)
We had two cranberry preparations this year: a fresh, whole-berry Cranberry Sauce with Tangerine and Chinese Five-Spice (bag o' berries, juice and zest of 2 tangerines, water to make the liquid up to 1 cup, 2/3 cup sugar and a half-teaspoon of Chinese five-spice powder; bring to a berl and simmer 10 minutes); and a Cranberry-Onion Relish with Jalapeño (bag o' berries, 1/4 cup honey, couple tablespoons lime juice and the zest of 1 lime, whizzed up in the food processor until chopped into a relish, then about 1/3 cup of finely chopped red onion folded in). Nothing that slid out of a can appeared on our table.
Wes' mom brought a Green Salad with Teardrop Tomatoes and Goat Cheese, and we provided some pomegranate seeds from our tree to sprinkle on; I also made a lime vinaigrette to dress it.
I also made dessert, a tart in fact, which is always dangerous. I kinda suck at baking. I dug around a bit and chose a Chocolate and Coconut Pecan Tart, which had a chocolate crust. Dough came out pretty well, surprisingly, but the recipe made too much filling and I overfilled the tart shell. Consequently, it glurped up, out and over the sides of the tart pan and then cooked into a substance that approached the elemental atomic forces that keep electons from flying out of their orbit; that goddamn tart pan was permaglued to the sheet pan on which it was resting. Fortunately I had a particle-beam fusion weapon and blasted it free from the pan, and lo and behold ... it came out perfect. "You could sell this," said Wes' mom. (Yay!) That said, I had a store-bought chocolate pecan pie from TJ's as a backup in case I fecked it up, which it turned out we didn't need 'cause I didn't feck it up. Dessert accompaniment was Modern Spirits Chocolate Orange Vodka. "Wow," Gregory said. "This stuff's great! And so smooth it's dangerous ... you could have eight or twelve of these easily before you realize how much you've had." (I should have noted this observation later on.)
I did that by myself, with no help (other than the salad and cleanup), all from scratch. I must be insane.
What I was was dead-tired, what with all that and being "on" as a co-host all day Thursday. I was so tired that by the end of the day I started losing tracks of how many drinks I was having, what with how dangerously smoothly that chocolate orange vodka went down, and how Gregory asked for a Szarłotka cocktail (superdelicious Polish Żubrówka vodka and apple juice), and me thinking, "Ooh, I'll have one of those too!" ... oh my. A couple of things knocked over, and then I decided it was time for bed. Apparently once everyone left I just said, "I'm tired,", collapsed into bed, and didn't move again until our idiot neighbor started breaking up ceramic tiles on his deck at 7:45 the next morning.
Hope y'all had a fun Thanksgiving!
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Monday, November 21, 2005 It's time for the nation to return the favor. An editorial from the New Orleans Times-Picayune. Read it, do what it says, and send it to everyone you know. Make sure they read it and do what it says.
The federal government wrapped levees around greater New Orleans so that the rest of the country could share in our bounty.
Americans wanted the oil and gas that flow freely off our shores. They longed for the oysters and shrimp and flaky Gulf fish that live in abundance in our waters. They wanted to ship corn and soybeans and beets down the Mississippi and through our ports. They wanted coffee and steel to flow north through the mouth of the river and into the heartland.
They wanted more than that, though. They wanted to share in our spirit. They wanted to sample the joyous beauty of our jazz and our food. And we were happy to oblige them.
So the federal government built levees and convinced us that we were safe.
We weren't.
The levees, we were told, could stand up to a Category 3 hurricane.
They couldn't.
By the time Katrina surged into New Orleans, it had weakened to Category 3. Yet our levee system wasn't as strong as the Army Corps of Engineers said it was. Barely anchored in mushy soil, the floodwalls gave way.
Our homes and businesses were swamped. Hundreds of our neighbors died.
Now, this metro area is drying off and digging out. Life is going forward. Our heart is beating.
But we need the federal government -- we need our Congress -- to fulfill the promises made to us in the past. We need to be safe. We need to be able to go about our business feeding and fueling the rest of the nation. We need better protection next hurricane season than we had this year. Going forward, we need protection from the fiercest storms, the Category 5 storms that are out there waiting to strike.
Some voices in Washington are arguing against us. We were foolish, they say. We settled in a place that is lower than the sea. We should have expected to drown.
As if choosing to live in one of the nation's great cities amounted to a death wish. As if living in San Francisco or Miami or Boston is any more logical.
Great cities are made by their place and their people, their beauty and their risk. Water flows around and through most of them. And one of the greatest bodies of water in the land flows through this one: the Mississippi.
The federal government decided long ago to try to tame the river and the swampy land spreading out from it. The country needed this waterlogged land of ours to prosper, so that the nation could prosper even more.
Some people in Washington don't seem to remember that. They act as if we are a burden. They act as if we wore our skirts too short and invited trouble.
We can't put up with that. We have to stand up for ourselves. Whether you are back at home or still in exile waiting to return, let Congress know that this metro area must be made safe from future storms. Call and write the leaders who are deciding our fate. Get your family and friends in other states to do the same. Start with members of the Environment and Public Works and Appropriations committees in the Senate, and Transportation and Appropriations in the House. Flood them with mail the way we were flooded by Katrina.
Remind them that this is a singular American city and that this nation still needs what we can give it.
For contact information for key lawmakers, click here.
Don't let them kill New Orleans by their false promises and their neglect.
News flash: Brussels sprouts can taste good! Who woulda thunk it?
First, a little background. Back in gradual school, my good friend Andy and I became roommates. Andy's a great guy, and was a great roommate -- fun to hang out with, pretty tidy, conscientous about paying the bills on time. There was one thing, though ... his occasionally odd culinary habits. One of them was to open a can of sauerkraut (canned, not fresh!), dump the entire contents into a saucepan (without rinsing!) and heat it up, subsequently filling the entire house with a foul, rotten cabbage odor. He'd then eat it right out of the saucepan. "This is great! Ya want some?" Um, no. Thank you.
The other odd culinary habit evidenced itself this way. I came home one day, sat on the sofa and began going through the mail, when I noticed a foul odor. Further sniffing revealed that it was coming from beneath the sofa. My first thought, given what it smelled like, was that my cat Vic had eschewed the use of the litter box that day, for some god-knows-why reason (ostensibly to teach me some kind of lesson, as was her wont) and instead done her litter box duties beneath the sofa.
It wasn't Vic's litter box duties. What it was was a paper plate containing the remnants of Andy's lunch, featuring two left-behind Brussels sprouts (as the rest of the meal had been raptured into his tummy).
Brussels sprouts smell like cat turds. QED.
(By the way, you know I love ya, Andy, wherever you are. :-)
That trauma, combined with occasional childhood Brussels sprouts traumas and the god-awful sprouts that had once been served to me at Bewley's Café in Dublin, pretty much put me off Brussels sprouts for life. In fact, in addition to lima beans and tripe, they were really the only things that I absolutely refused to eat.
My friend Gregg took this as a challenge, and bet me that he could make Brussels sprouts that were not only edible but that I'd actually enjoy and want to make again. The challenge took place last night.
Gregg and Mike offered, as a birthday present, to take me up to a wonderful little meat market in La Crescenta called Harmony Farms, pick up some exotic meat and/or sausages, and grill 'em up for dinner. I'd never heard of that market, and was assured that it would end up becoming one of my favorite food places. They weren't wrong. Meat of every description -- beef, pork, chicken, turkey, rabbit, buffalo, ostrich, venison, deer, elk, wild boar, you name it, they've got it or can get it. The plan was to grill some sausages, and they had a wide variety of really exotic-looking ones. We settled on a duck and apple sausage with brandy, duck and bacon sausage with jalapeño chiles and a wild boar sausage with cranberries, with the asterisked parenthetical comment below the sausage name, "made with meat from feral swine". Oh, I'm so in.
The sausages were fabulous, all of them (although I think the duck and apple with brandy was my favorite, and I'm going to pick up another pound of that to use in the Thanksgiving stuffing on Thursday), and were accompanied by slowly caramelized onions, a few mustards and a variety of beers and ciders (boy, do we love Galco's in Highland Park). and ... the Brussels sprouts. The verdict?
Really good. Much to my astonishment.
You kinda can't go wrong cooking them this way, and remember the the trick to making Brussels sprouts tasty and not having them smell like cat turds -- get them fresh on the stalk, cook them quickly and do NOT overcook them. If they get mushy, you're dead. Keep some texture.
I'm not sure where Gregg's mom got this recipe -- Gourmet or Bon Appétit, perhaps -- but she's apparently been making them this way for nearly 20 years.
Brussels sprouts with chestnuts
Cut the sprouts from the stalk, choosing ones that are close to being the same size so they'll cook evenly. Steam the sprouts for 8 minutes, or until barely tender. Heat the oil in a skillet over medium heat and sauté the shallots for 4 minutes. Add the chestnuts. *
- 24 small Brussels sprouts, cut fresh from the stalk
- Light vegetable oil
- 12 chestnuts, quartered
- 4 shallots, thinly sliced
- 3/4 cup orange juice
- 1/2 cup water
- 2 tablespoons brown sugar
- 1/4 teaspoon chicken buillion granules
- Freshly ground black pepper
Combine the orange juice, water, brown sugar, buillion granules and pepper to taste. Stir well and add to the chestnut mixture. Bring to a boil and cook for 5 minutes. Add the sprouts and cook for 5 minutes more, stirring occasionally.
* - To prepare the chestnuts:
Heat oven to 350°F. Cut an X with a sharp paring knife on the flat side of the chestnut. Soak the nuts in warm water for 15 minutes, then drain. Spread them in one layer on a shallow baking pan and roast in the oven until the shells curl, about 15 minutes.While they're still hot (careful you don't burn your hands), peel off the shells and stringy skin underneath, making sure not to leave any skin behind.
Really, really good. Just in case, though, when you make this recipe, keep any cats out of the vicinity.
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Friday, November 18, 2005 The Cocktailian. In today's edition of Gary Regan's fortnightly column, the Professor, our cocktailian bartender, mixes up a Menage au Poire, which looks great. Read about it at the link, but have a look at the recipe first:
Menage au Poire
Adapted from a recipe by Victoria Damato-Moran,
bar manager at Tony Nik's in San Francisco1-1/4 ounces Pitú cachaça.
1 ounce Belle de Brillet (pear and Cognac liqueur).
1/2 ounce Chinaco Reposado tequila.
2-1/2 ounces pear nectar (Santa Cruz, Hansen's, etc.).
Juice of half a lime.
Pinch of sea salt.
Fill a cocktail shaker 2/3 full of ice, add the ingredients
and shake for about 15 seconds. Strain into a chilled cocktail
glass. Garnish with a lime twist and a slice of pear.[At our house, this would be enough for TWO 3-ounce drinks.]
This looks brilliant; I can't wait to try it. We've been looking for ways to use Belle de Brillet, which we love (and which Wes used in his Mary Jane Cocktail, a relative of the Footloose). This is very inventive.
We do what we do. Poppy Z. Brite writes in yesterday's Times-Picayune:
Within days of the storm, a correspondent asked local author Greg Herren, "How will writers of series set in New Orleans handle this in their work?"
"At the time, I was furious," Herren said. "I saw the question (as) 'Are New Orleans writers finished?' Obviously, that wasn't what the poster meant, and as time passed, I began to see the question as a valid one. Do we pretend it never happened, or do we write about it?"
[...] On Sept. 10, I wrote in my online journal, "Whatever happens, New Orleans will never be the same city it was before this storm. I have no desire to write about it -- I want to go on writing about the New Orleans I knew before."
Eventually, though, I came to feel that doing so would be callous, irresponsible and dishonest. I've long said that what I want most is to write as honestly as possible about my hometown. How, then, could I ignore an event that will shape it for the remainder of my lifetime and beyond? I rethought the ending of my next novel, and realized that there would have to be at least one more after that. It's not that I think I have some great artistic contribution to make to the healing of the city, but that writing is pretty much the only way I have of healing myself. If I don't deal with the storm in my fiction, I'll never deal with it.
Mary, Wes and I were wondering about this too, and specifically wondering about how Poppy would deal with it in her writing, even before Poppy herself began talking about it on her journal. As much as I want to remember home the way it was (and always will), we're all going to have to deal with the ugly reality. As much as I want to preserve New Orleans in amber the way it was before August 29 ... well, just to name one example, if I was reading continuing stories about Rickey, G-Man and their adventures at restaurant Liquor in a world where Katrina didn't happen, while at the same time having to go see my parents on the feckin' Northshore because their house got wiped out, I'd feel that something was missing.
That said, I still wouldn't mind reading more short stories about her fictional characters' lives pre-Katrina, but I'm also beginning to wonder how Rickey and G-Man made it through the storm, and how they'll deal with the destruction of the neighborhood where they grew up. When I end up reading in Poppy's future work (as I suspect I shall) about this, I'll also end up thinking about Holy Cross High School, about the gymnasium building which housed the music department where I spent countless hours through high school, and how it'll have to be demolished and wondering what will become of the rest of my Lower Ninth Ward school, its students and the surrounding neighborhood.
To read about that will be healing for me and everyone else from home who reads Poppy's wonderful stories, not to mention healing for Poppy herself. The healing will commence, as Poppy points out, with everything we do, how we do what we do:
That's how we all deal with this: We eat well, we feed others, we drink, we have Carnival, we make art, we make the city beautiful again. We do what it is that we do. And God help anyone who tries to stop us, even if her name is Katrina.
Yeah you rite, dawl'. Even 2,000 miles away, I eat well, I feed others, I'm comin' to Carnival, and I try to make as much art as I can, whether it's a few scribbles here, a music compilation there, a photograph or three every once in a while. And I like to eat red beans 'n rice on a Monday night.
The Guardian goes to NOLA. Excellent article from the UK newspaper on the struggle of the local music scene to recover, and features interviews with Dr. John, Irma Thomas, Reggie Scanlan of the Radiators, Big Chief Monk Boudreaux of the Golden Eagles Mardi Gras Indians. Their guide, drummer and writer Ben Sandmel, helps take them through the city and to a variety of venues, including the newly reborn Tip's:
The real thing arrives four hours later, when we make our way to the ceremonial re-opening of Tipitina's, packed with a crowd split 50/50 between black and white, and vibrating to the music delivered by a locally-renowned troupe called Big Sam's Funky Nation. Their final song is a rendition of Jim Hendrix's Purple Haze, which duly progresses - as tends to happen here - into a loose-ended, high-spirited jam, punctuated by an ad-libbed hookline: "We gon' have a good time/We all gon' have a good time."
Six months ago, it would have seemed innocuous, just another joyous exhortation bouncing around a city where they were yelled in their thousands. Set against the horrors that have recently happened here, it could easily seem ludicrously trite. Hollered by freshly returned musicians, and shouted back by hundreds of New Orleanians, it sounds positively defiant.
Yeah you rite.
Where da streetcars at? When I was home last month, one of the things that struck me as being wrong as I drove down St. Charles Avenue, besides the decimation of the beautiful oak canopy over the street, was the lack of streetcars. The electrical lines powering them were down, and in some places (such as at the Riverbend in front of the Camellia Grill) the tracks looked as if they were buried in mud.
This New York Times article was depressing; we might not see the streetcars roll for a long time.
Bourbon Street, with its show-must-go-on swagger, is back, but another venerable symbol of this city has fallen on harder times. Herded into a terminal a couple of miles from the tourist territories are row after row of streetcars, their metal undercarriages diseased with rust.
The city's three streetcar lines have been out of service since Hurricane Katrina, and it will cost more than $30 million to repair them. Their absence is not just a blow to visitors looking to sample a bit of quaint New Orleans conveyance to go with their crayfish and jazz. The streetcars were also a mainstay for residents poor and rich, offering a convenient $1.25 ride through the business district and nearby.
Before the hurricane hit, transit officials returned the 24 streetcars on the Canal Street line to their terminal, which then had several feet of flooding for two weeks. The brackish water ate away some of the red paint on the streetcars and corroded their wheels and motors.
You know, frankly I don't give a shit about Bourbon Street, at least anything between Galatoire's and Lafitte's. The hell with Bourbon Street. That's where a lot of out-of-town drunks go to get their ya-yas out, which I suppose brings needed money into the economy. But Bourbon Street is not the real New Orleans. The streetcars are.
Do you think our vile, stinking Congress (who under the Republicans are still trying to eliminate programs for the poor while cutting taxes for millionaires, and fortunately failed to do so yesterday) will help with this cost? Probably not, as they're already well on their way to abandoning New Orleans. At the same time, for example, they've given $13.5 million to the International Fund for Ireland, which will fund various projects around that country. Don't get me wrong; I love Ireland, and fair play to them ... but right now we need to cut back on aid to other countries while our own is hurting, and while our Congress seems to be balking at doing what's necessary, what's right, to help Louisiana and the Gulf Coast.
They won't, though. Bastards.
My old pal Ed Branley runs a wonderful website about the streetcars of New Orleans, the new Canal Street line in particular. Check it out, and check out his book New Orleans: The Canal Streetcar Line, available at the link from Amazon.com
They're still finding bodies in New Orleans. I knew this would happen.
You have have read about this or seen it on CNN already, but in case you haven't ... read all about it. The state called off house-to-house searches for bodies on October 3, saying they'd seen everything and that there were no more. They were wrong, of course.
[From CNN:] You know, it's hard to imagine anything worse than coming back to your home in New Orleans and finding it completely destroyed. But, tonight, as you're about to hear, there is something worse, much worse. Dozens of families have returned to what is left of their homes and found, lying amidst the mold and the wreckage, a body, forgotten, abandoned. Maybe it's their mother or their grandmother, sometimes even their missing child.
[...] There was no joy for Paul Murphy in this homecoming. When he walked into his house in New Orleans' Ninth Ward last month for the first time since Katrina, it was shock and anger.
MURPHY: So, I'm thinking that, OK, I was going to come and salvage a few pictures or something. And I walk in here. I found my grandma on the floor dead.
Since November 1, 10 bodies have been found in the ruins of the Ninth Ward. The last area, known as the Lower Ninth, will open to residents December 1. Coroner Frank Minyard worries about what people will find.
(on camera): You're fully expecting that more bodies will come in once they open the Ninth Ward?
FRANK MINYARD, ORLEANS PARISH CORONER: Yes. And I think it's -- it's going to come in for a good while. There's so much rubbish around that they might find people in the rubbish.
(voice-over): They already have. And there are still many bodies left unidentified and unclaimed.
Were they wrong ... or did they just not bother to look hard enough? This is horrific, and the city, state, feds, whomever, need to get their collective asses back into the Lower Ninth and make sure that NOBODY else comes home to find a body in their house.
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Thursday, November 17, 2005 Say it ain't so! Save Torani Amer! I just got the folowing disturbing email from Robert:
Chuck, since you've used Torani Amer in the past, I thought I'd pass onto you this little news tidbit that was just sent in to the Museum:
Dear all,
I was surprised to find out that the Torani company said that they may no longer be producing the Torani Amer. I spoke with Isha in the customer service department, and sent her a copy of the NY Times article about bitters that included Torani Amer in it. If any one is interested in this at the American Cocktail Museum please give Torani a call or an e-mail letting them know that this product is important and they should keep on producing it. Since Amer Picon is so hard to find Torani is one of the only suitable replacements for the many drinks that contain it.
-- KevinIf this is true, it means the death of nearly 50 new and especially classic cocktails, including the Brooklyn, my own Hoskins Cocktail and the lost New Orleans classic, the Mother-in-Law Cocktail, to name just three.
Torani Amer is the only substitute for Amer Picon, a now-all-but-discontinued bitter orange aperitif liqueur that's called for in classic after classic (including the Picon Punch, the national drink of the Basques), not to mention newer creations. If Torani, makers of fine syrups for flavoring everything from sodas to coffees to cocktails, does in fact discontinue this wonderful product, they will single-handedly orphan a huge chunk of cocktail history.
Please write to the Torani Company via contac page, or even better, call them at (800) 775-1925. Be polite and imploring. Explain to them how important this liqueur is to you and to cocktail history. Tell them you can't live without Brooklyn Cocktails. Tell them that there's an army of cocktailians out there who want this stuff (well, in your own words, of course). We need them!
Pledge drive tonight. God, I hate asking for money on the air, but unfortunately it's the only way we make money. KCSN hosts their semi-annual Pledge Drive this week, and tonight is my program "Down Home"'s turn. Tonight, between 7 and 9pm Pacific Time, call (800) 795-KCSN, that's (800) 795-5276 and pledge your support for great New Orleans and roots music radio!
We've got a wonderful treat this year too ... all pledges of $120 will be matched by our rich anonymous benefactor! For your pledge of $120 you can receive as our thank-you gift either my New Orleans box set "Doctors, Professors, Kings and Queens: The Big Ol' Box of New Orleans", or the following 5-CD "Down Home" pack:
- Buckwheat Zydeco - "100% Fortified Zydeco" (featuring new liner notes by yours truly.
- "This Is The Dirty Dozen Brass Band Collection" (the first compilation to feature tracks from every Dirty Dozen album, even their out-of-print debut; music compiled by yours truly, liner notes by Steve Hochman)
- Steve Riley & the Mamou Playboys - "Dominoes" (the brand-new album one of the finest Cajun bands around, both progressive and traditional)
- "The Great Johnny Adams Blues Album" (New Orleans' "Tan Canary", one of our greatest gospel, soul, jazz and R&B singers ever, singin' the blues ...)
- The Magnolia Sisters - "Chers Amis" (a powerhouse, all-female Cajun band who are keeping alive the ballad singing tradition as well as Cajun dance music)
You can pay by credit card too, all at once or in four easy, almost-unnoticeable installments of $30. Such a deal. Call tonight! Or pledge anytime via the website. We needs yo' money!
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Wednesday, November 16, 2005 Dinner at Lucques. (Danger, food porn!) That was the "mystery restaurant" where Wes took me for my birthday last Friday. He did let it slip that we were going to West Hollywood, but I didn't even try to think about which one it would be, and I quite literally didn't know where we were going until we arrived at the front door. I was thrilled. We had been meaning to go here for ages, especially for their famous "Sunday dinners", but I certainly didn't mind trying the main menu first.
Their bar came highly recommended as well, with several specialty cocktails. I'm usually leery of most restaurants' "specialty" drinks these days, as even places as high-end as Patina invariably make drinks that are way too sweet sweet sweet. Imagine my delight as the two we had at Lucques involved both Campari and a variation on the classic Perfect Martini with no liqueur in it at all!
The Lucques Jasmine
2 ounces Beefeater gin.
1 ounce Cointreau.
1/2 ounce Campari.
1/2 ounce lemon juice.
Shake and strain; garnish with lemon wheel floated on top.We tried this at home, but flipped the Cointreau and Campari. I think we'll flip it back, but add a little more lemon juice. The ingredients work well together, but you could get some interesting variations by changing the proportions.
The Harold Lloyd Cocktail
3 ounces Hendrick's Gin.
1/4 ounce dry vermouth.
1/4 ounce sweet vermouth.
Stir for no less than 30 seconds, until ice-cold.
Garnish with a cucumber slice.We loved this. Does anybody remember what a Perfect Martini is anymore? If you do, how many times have you said to a bartender, "I'll have a Perfect Martini please," only to have him haughtily reply, "All my Martinis are perfect!" No no no, silly sod; a Perfect Martini is one that uses half sweet and half dry vermouth, instead of all dry. Perhaps the reason why most people don't know this is that most people have forgotten that a Martini has vermouth in in. All this horseshit about waving the closed bottle of vermouth over the shaker has nothing to do with a Martini, and has everything to do with drinking cold gin, up. That ain't a Martini. A Martini has vermouth in it. Period. QED. I have spoken.
Hendrick's Gin is a wonderful, hand-crafted small-batch gin made in Scotland, and has amongst its unusual mix of botanicals an infusion of rose petals and cucumber, giving it a unique flavor that I happen to love. We'd make regular Martinis with it, not wanting that unique flavor to get too lost in a cocktail, but had never tried it as a Perfect Martini before. That, combined with the cucumber slice and the nifty name, has made us big fans of this drink, named after the silent movie star in whose former carriage house the restaurant is housed. Safety last!
Everyone who dines at Lucques is brought a little amuse-bouche of the restaurant's namesake Lucques olives, gorgeous warm toasted almonds tossed in almond oil, a pat of lovely butter and a dish of coarse sea salt, along with a basked of breads. Thinking to save a little bit of room for dinner, one of us said something like, "Um, we probably shouldn't eat all these almonds," as we chain-ate the almonds until they were gone.
As usual, I've got pork on the brain. I was actually planning to go for lighter fare, perhaps starting with an interesting salad and moving on to fish. Hmm, that arugula salad with the pomegranate looked good ... but then ... I saw it. Roasted Kabocha squash and braised bacon with dates, dandelion and pumpkin seed oil.http://worldclassneworleans.blogspot.com/
Oh my. They could easily have called it "Braised bacon with kabocha squash"; the flavor of that bacon (more like thick slices of pork belly, but not too fatty) was rich and intense, and went perfectly with the nutty squash. The bitter tang of the dandelion leaves balanced it perfectly. It would have been very, very silly of me to get a salad with this on the menu.
Of course, since I was already infused with pork, there was really only one dish I could have ordered from tne enterées ... Suckling pig with long-cooked romano beans, grilled baby leeks and romesco.
The pig, said our server, had been roasting at a relatively low temperature overnight and was ... exquisite. Everything else on the plate was fine, and went well with the dish, but I frankly didn't care about any of it. All I cared about was that marvelous, butter-tender, intensely delicious pork. (Well, the Domaine des Vieux Pruniers '04 Sancerre that I washed it down with was pretty great as well.) The serving was fairly Gargantuan, too; there was a ton of it, topped with a thin piece of "crispy skin" the size of my palm. Pork lovers, get to Lucques and order this dish before they change the menu this winter.
Of course, there's always room for dessert. However, I found the paucity of chocolate on the dessert menu to be distressing. Of course, it doesn't have to be chocolate to be dessert, but I was hoping for a little more choice in that area. Most of the desserts looked really good, but I opted for something a bit lighter (as opposed to a huge chunk of cake or bread pudding or something like that). Piloncillo ice cream with caramel nut wedge and a shot of hot chocolate was what I settled with.
Piloncillo is unrefined Mexican brown sugar that comes in three-inch solid cones, and is earthy and delicious. The ice cream was excellent, and the "hot chocolate" that accompanied it was more like thick chocolate fudge with a perfect bitter chocolate tang to it; I was pleased that the pastry chef wasn't timid about making it not-too-sweet. Given the price of all the desserts, though ($10!), I was a little miffed at the miniscule portion -- one quenelle of ice cream, about 1/4 cup of the chocolate, and the "caramel nut wedge", although good, was a tiny piece of candy. Seems like they could drop the price on this one a bit.
I also managed a splurge with the digestif, a 1979 Château de Ravignan Bas-Armagnac that was deep and wonderfully rich on the palate, full of dried fruit and toffee flavors. I've got to start looking into Armagnacs more.
That's one happy, bloated-- er, well-fed birthday boy.
I'd like to say "it's back on the austerity diet now, Chuck", except last night (four days after this meal), a bunch of us went to the sadly closing Italian restaurant Rocca in Santa Monica for their famous porchetta, "A