From: craig@festival.ed.ac.uk (Craig Cockburn) Subject: Mouth music Newsgroups: rec.music.celtic Organization: Edinburgh University Date: Sun, 5 Dec 1993 12:35:06 GMT spp@zabriskie.eecs.berkeley.edu (Steve Pope) writes: >Hi, fellow celtonerds. >Could somebody describe to me what "mouth music" is. >My general understanding is that it is of Celtic >persuasion, and involves emitting guttural sounds from the >vocal tract in lieu of instrumentation. Mouth music, puirt a beul in Gaelic, is the music that arose when music instruments were banned (presumably after the '45 uprising). Gaels used to dance to musical instruments and when the instruments were banned, Mouth Music was invented to replace the instruments. A lot of the lyrics are meaningless, and the meaning behind the rest of the words is usually not that deep either. However, it is not just mouth music that has meaningless lyrics - waulking songs (songs for waulking tweed to) also have these meaningless lyrics (call vocables). The vocables are important in many songs though, they give the song its rhythm and this is why no two songs have the same vocables. Puirt a beul comes in all forms, people tend to associate it with reels, but it can also be associated with strathspeys. I started to learn "Mor a' Cheannaich" last week, which is the Strathspey part of next year's choral "puirt" competition at The Royal National Mod. This song appears on the Capercaillie album "Crosswinds" and is simply entitled "Puirt a beul". They also did another puirt on the following album , that song is called "Fosgail an dorus" and is on the "Sidewaulk album". The lead singer in Capercaillie , Karen Matheson is very good at this sort of music, but the two albums I mentioned are not predominantly puirt music. Sileas (Scotland's premier harp duo) also do puirt and are very good - any of their albums is worth getting. Catherine Ann-MacPhee also does a lot of mouth music and there is even a band called "Mouth Music" who have done an album entitled "Mouth Music", although they are very untraditional in sound. Mouth music these days is generally played with music accompyment. -- Craig Cockburn, pronounced 'Coburn' M.Sc. Student, Napier University Email: lss203@dcs.napier.ac.uk, Phone: +[44] (31) 556 9578 Sgri\obh thugam 'sa Ga\idhlig ma 'se do thoil e. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Note from Chuck: The Cajuns had a similar tradition which began during the Acadian migration. Many Acadians didn't have instruments, not because they were banned, but because they were too poor. Consequently, in early Louisiana Acadian times, the musical tradition of "reel a bouche" and "jig a bouche" (literally, "mouth reel" and "mouth jig") came to be.